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The Late Scholar: Peter Wimsey and Harriet Vane Investigate
The Late Scholar: Peter Wimsey and Harriet Vane Investigate
The Late Scholar: Peter Wimsey and Harriet Vane Investigate
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The Late Scholar: Peter Wimsey and Harriet Vane Investigate

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When a dispute among the Fellows of St. Severin's College, Oxford University, reaches a stalemate, Lord Peter Wimsey discovers that as the Duke of Denver he is "the Visitor"—charged with the task of resolving the issue. It is time for Lord Peter and his detective novelist wife, Harriet, to revisit their beloved Oxford, where their long and literate courtship finally culminated in their engagement and marriage.

At first, the dispute seems a simple difference of opinion about a valuable manuscript that some of the Fellows regard as nothing but an insurance liability, which should be sold to finance a speculative purchase of land. The voting is evenly balanced. The Warden would normally cast the deciding vote, but he has disappeared. And when several of the Fellows unexpectedly die as well, Lord Peter and Harriet set off on an investigation to uncover what is really going on at St. Severin's.

With this return in The Late Scholar to the Oxford of Gaudy Night, which many readers regard as their favorite of Sayers's original series, Jill Paton Walsh at once revives the wit and brilliant plotting of the Golden Age of detective fiction.

LanguageEnglish
Release dateJun 17, 2014
ISBN9781250032782
The Late Scholar: Peter Wimsey and Harriet Vane Investigate
Author

Jill Paton Walsh

Jill Paton Walsh (1937-2020) was an award-winning author of many books for children, young adults, and adults including The Green Book, A Parcel of Patterns, the Booker Prize shortlisted Knowledge of Angels, and the Whitbread Prize winner The Emperor’s Winding Sheet. She completed Dorothy L. Sayers’ unfinished Lord Peter Wimsey and Harriet Vane mystery manuscript, the international bestseller Thrones, Dominations, and continued Sayers’ series with A Presumption of Death, The Attenbury Emeralds, and The Late Scholar. In 1996, Walsh was awarded a CBE (Commander of the Order of the British Empire) for services to literature.

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Rating: 4.117647058823529 out of 5 stars
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  • Rating: 3 out of 5 stars
    3/5
    A bit convoluted.
  • Rating: 3 out of 5 stars
    3/5
    3.5*

    While the mystery was very good, Walsh doesn't quite seem to hit the mark with Sayers' characters, especially that of Lord Peter Wimsey. No regrets about reading this book (particularly as I already had a copy via my Mom's kindle) but I doubt that I will reread it...
  • Rating: 3 out of 5 stars
    3/5
    Where I got the book: my local library. The fact that I didn’t buy it is indicative of my uneasy relationship with Jill Paton Walsh’s last Wimsey-Vane book, The Attenbury Emeralds. **SPOILER WARNING** somewhat spoilerish, where I needed to discuss a point and couldn’t do it without giving away what the book’s about. But not very much.Has anyone else noticed that Paton Walsh has a tendency to make a weak start with these books? There’s an irritating throat-clearing quality to the first half a dozen pages of this one. Exhibit 1, the beginning:“Great snakes alive!” said the Duke of Denver, sometime Lord Peter Wimsey, famous amateur sleuth.“What is it, Peter?” asked his Duchess, sitting across from him at the breakfast table.The Duchess was sometime Lady Peter Wimsey, and before that had been Harriet Vane, detective-story writer, a persion that she still was as often as life allowed her.YES WE KNOW.Seriously, Ms. Paton Walsh, do you think anyone but a Wimsey fan is going to read this novel? And even if, perchance, someone were to browse into this book by mistake and decide it’s worth reading, the info about Peter and Harriet could be far more elegantly dropped into the first couple of chapters. Never start a novel with backstory. Of course this is a frequent first-draft tic—I’ve just done it myself, but I took the pages to my writer’s group and confirmed what a Bad Idea they were, and will start the novel with the second chapter instead. We all sort of need to write ourselves back into the story when we’re re-using characters, but these chapters need to be discarded or re-written, and she didn’t. Not nearly as bad a backstory dump as with The Attenbury Emeralds, but still. Sayers would NEVER have done this.The other thing Sayers never did was dumb things down. She threw in French, Latin, Greek and classical references without any explanation, assuming that the intelligent and educated reader would either know them as a matter of course or look them up in a dictionary. And that was long before the days of the internet. And yet Paton Walsh, whose readers generally have Wikipedia no farther away than their phones, are treated to Exhibit 2:“I don’t think you mentioned what the codex is a manuscript of?” said Peter.“Some Dark Ages martyr called Boethius,” said Troutbeck [who is an Oxford don].Am I the only reader to feel insulted at the assumption that I would never have heard of the Consolation of Philosophy? If anything, it was reading Sayers as a teenager that made me realize the depth and wonder of ancient and not-so-ancient literature. How could Paton Walsh, who I vaguely remember going on record about how reading Sayers made her want to study Eng. Lit. at Oxford, so undervalue the fandom?Eventually, we wander into a plot where the murders are based on Harriet’s novels, which are in turned based on Peter’s cases, which are of course the stuff of Sayers’ novels. And let’s stop right there. I have a real problem with the implication that Harriet needed Peter to supply her with plots, useful as that might be for Paton Walsh’s storyline. This is a major weakness of the novel in my opinion, particularly since everyone seems to deal with this pattern in a very offhand way at times. Harriet actually spots a massive clue—directly related to the point under discussion—at one juncture and then completely fails to mention it in the next chapter.And besides, where you have a string of murders like this, the plot needs to be a whole lot more incisive. Paton Walsh sort of pre-empts this criticism, Exhibit 3:“Whoever he is, he is getting increasingly efficient, and increasingly violent,” said Peter. “Whereas we, I’m afraid, are getting increasingly bogged down and ineffectual.”And at some point she has Peter and Harriet talk about how in real life, crimes are far more muddled and less clean-cut than in detective fiction. But this IS detective fiction, dammit, and failing to make the effort to come up with a properly delineated plot makes a mockery of the Sayers canon to which Paton Walsh is presumably paying homage. This seems like an appropriate moment to go off on a tangent about something that’s been bugging me. The copyright to the Sayers characters is held by the Sayers estate, and Paton Walsh, who has some serious literary cred, is the only writer who’s been granted license to use them. Copyright owners, in these cases, usually seem to claim that they restrict the use of characters in order not to let them be twisted and bent into shapes never dreamed of by the original writer, even though you can’t keep a fanfic writer down, if I understand rightly (I’m not a fanfic reader) so it happens anyway, just that nobody makes money out of it. Except E.L. James. But let’s look at the other great fictional detective, Sherlock Holmes, who suffers from far fewer restrictions. Granted, this has resulted in some cringeworthy movies and books, but it’s also given us Mary Russell and Benedict Cumberbatch’s Sherlock, to name but two of the more inventive reinterpretations of the character. I argue that by allowing Ms. Paton Walsh to play in the Wimsey-Vane sandbox all by herself (and leaving aside all discussion of the two TV series), the DLS estate isn’t doing readers any favors. I would have been OK with them deciding NEVER to let anybody reproduce the Wimseys in written form, leaving them (as I said in my Attenbury review) to exist forever in the eternal sunshine of a lost world in readers’ minds. But since they’ve decided to sanction some fan fiction, why not open up the field for more contenders? The only reason I’m giving this book three stars is that there were times I really enjoyed hanging out with Peter and Harriet again. I’m simply that much of a fan. And there were moments when they sounded right, but these moments were constantly interrupted by un-Sayers-like bits that made me wince. It was a bit like listening to someone playing Mozart really well . . . 85 percent of the time. Or maybe 70 percent. There were more jarring notes than I cared to record: Exhibits 4 and 5 are a character called Stella Manciple turning into Ellen Manciple later in the book, and another character talking about “making emends”—small things, but they point to the lack of the right kind of editor. There were problems with pacing—we spend an excrutiating amount of time on the taking and developing of photographs, for example, but gallop over what should have been one of the best pieces of action in a few briefly sketched paragraphs. There were strange, rambly bits of action that had absolutely nothing to do with the story, but seemed to be mini-research dumps. There was a sort of sex scene, right in the middle of the book, which was frankly more embarrassing than erotic, like walking in on your parents.I don’t seem able to be brief about this book, so I’m just going to come to a grinding halt right here. Which is kind of what I’d like to happen with this series. Reading these books is becoming a masochistic exercise—pleasurable enough that I find it impossible to keep away, but ultimately painful and humiliating.
  • Rating: 4 out of 5 stars
    4/5
    I was so excited to read this newest book in the series, especially since I have enjoyed what Jill Paton Walsh brings to these well loved characters.

    Unfortunately,

    1: I didn't love the audiobook reader -- the past ones were tremendous, and this guy just wasn't. Also, gave Bunter an accent that I found highly irritating.

    2: If you're going to write an original piece, write an original piece. Basing the murders off Peter's previous cases (now described as Harriet Vane's books) turns this book into a greatest hits of Sayer's murders. I'm reading these books because I already know Sayer's work, so this just felt like it was leaning on previous work too heavily.

    3: Boy howdy did this need editing! Constant repetitions of phrases, rehashing things over and over again -- the reader is reading this book, you don't need to constantly revisit the things we have already read. Also, retire the phrase "When you know how, you know who" -- yes, it's famous Wimsey phrase. It's used in every book. In this book, it becomes a touchstone and is used at minimum 5 times. Enough, already!

    4: Extremely disappointed at the ethnic slurs against the Japanese. Just because Sayers used bigoted language as a product of her times, doesn't mean that tradition needs to continue. I understand that this book is set within close memory of WWII, but especially given that the vignette where this occurs is talking about how the professor wanted to move past the war and find peace with wartime enemies, it felt unnecessary.

    I loved spending time with Peter and Harriet again, I loved seeing them in Oxford and learning about obscure customs like the Visitor. I loved seeing the way their family is continuing to grow -- all of that was a delight. I wish Walsh would stand on her own feet -- keep the characters, tell us a new story. I think she's picked up the mantle really well, but there comes a time to build new rather than reconstruct the old. Honestly, I'd love it if future books move around in the timeline-- even if uncomfortable with setting mysteries in times where Sayers has already been, it was a pretty big time leap between A Presumption of Death and The Attenbury Emeralds. There's space to tell us more stories set in the prime of their married life, and there's space to show more of the Bunters as well. I suppose I shouldn't let my disappointments overwhelm my gratitude -- I am grateful that this series continues. I am grateful for Walsh's careful and beautiful writing setting scenes and working through complicated puzzles. That part is wonderful.
  • Rating: 4 out of 5 stars
    4/5
    Let's be clear from the beginning: Jill Paton Walsh is no Dorothy Sayers. But, with the approval of Sayers' estate, she has done not merely a credible job of continuing the partnership of Lord Peter Wimsey and Harriet Vane, but a delightful one, as well. In this latest installment, it's 1953, and Peter and Harriet are called back to Oxford when Peter discovers that as the Duke of Denver, he's the official "Visitor" for St. Severin's College (the "visitor" seems to function sort of like the head trustee). St. Severin's is locked in an apparently intractable dispute about whether to sell an ancient manuscript that may have been glossed by none other than King Alfred the Great. Of course, there's more behind the conflict than meets the eye, but that isn't discovered until several fellows are killed in one way or another. What charmed me about the book, though, was Paton Walsh's depiction of Peter and Harriet's relationship. Their sons are almost ready to go to university, so their marriage has matured and mellowed, but there's still a notable spark between the two of them. Paton Walsh does a lovely job of creating dialogue between the two that is entirely in character with Sayers' conception of the two characters. And of course, they're back in Oxford, the place where (in the wonderful _Gaudy Night_) they finally acknowledged their feelings for each other, so there are lots of allusions to the events and scenes in Gaudy Night. In fact, the murders themselves take Harriet all the way back to the case that first introduced her to Peter: her own murder trial, when she was falsely accused of having poisoned her former lover. Paton Walsh uses this to demonstrate how far Harriet has come from the hostile, wounded position she was in at the start of her connection with Peter.But this isn't to say the mystery here isn't important or well constructed: it is. And Harriet even gets a few digs in at her fellow Golden Age writers. Of Agatha Christie, she rightly says, "Mrs. Christie [is] an admirable technician, in many ways, but not perhaps brilliant at conveying subtleties or depths of character. Her work [is] not likely to engage one's sympathy." I could not agree more...which is why I wish more fans of Christie's would discover the work of Sayers (and also of their other contemporaries, Patricia Wentworth, Josephine Tey, Georgette Heyer, Margery Allingham, and Clara Benson)!Quotable quotes:"Non-intellectual people overestimate the power of reason among intellectuals, I find.""Am I alone," asked Peter, "in feeling a certain sympathy for someone who has to sit through badly written and ill-prepared essays for hours a week?""To learn from someone who is still alive above the neck, and still learning themselves, is like drinking from a fresh spring, someone said, but 'he that learneth from one who learneth not drinketh the foul mantle of the green and standing pond.'"The gloss written by King Alfred in the contentious manuscript: "I hope to do good deeds in my lifetime, and to be remembered for them after my death." Peter comments, "his hope was just to do good and be remembered. At the same time not much to ask, and a lot to ask. I'd gladly settle for that myself."

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  • Rating: 5 out of 5 stars
    5/5
    I have always been a fan of Dorothy Sayers' Lord Peter Wimsey mystery series. My only regret is that she didn't write even more books in the series. So needless to say, this new mystery series based on Sayers' characters peaked my interest. This is the first of the Jill Paton Walsh series that I have read, and I enjoyed it immensely.In this novel, Peter and Harriet are getting up in age, with grown children off at school. They still have the valuable assistance of Bunter, thank goodness. Peter is called to Oxford University because the Fellows at St. Severin's college are hopelessly at odds over the potential sale of a valuable manuscript and the purchase of land. Lord Peter is the "Visitor" of the college who can cast the deciding vote - but Peter and Harriet quickly discover that much more is going on. The Warden has been missing for several months, and there have been a number of accidents and suspicious deaths. In order to get to the bottom of the mystery and settle the dispute, they have to find the missing Warden and find a murderer as well.In the midst of all of this excitement, there are many references to past events and people from Sayers' books. It was nice to learn how some of the other characters are faring, or what happened to them. Being back at Oxford takes Peter and Harriet back to their youth and they reminisce about how they met and eventually became a couple.I'm not exactly sure if I liked this book as much as I liked the original series - it is very close, but it doesn't really matter. I liked this book so much I would read the Jill Paton Walsh books even if I hadn't read the Sayers series! They are both good on their own merits. This book is exactly the kind of mystery I enjoy reading - no explicit language, sex, or gore, and it was witty, suspenseful, and a good exercise for the brain as I tried to solve the mystery along with them. I will definitely read the others in this series!(I received this book through Amazon's Vine Program.)

    1 person found this helpful

  • Rating: 4 out of 5 stars
    4/5
    The year is 1953 and, due to the death of his older brother, aristocrat and sleuth Peter Wimsey, now middle-aged and married, has been forced to don the mantle of Duke of Denver. Among the many unanticipated duties of his new title is that of Visitor to St Severin’s College at Oxford. When an impasse arises at the college over the question of selling a valuable book to purchase a piece of land, he is called upon to settle the dispute. When he arrives, he discovers that the warden of the college has disappeared, two of the fellows involved in the vote have met with accidents that seem to be copied from his wife Harriet’s mystery novels, and another has died in a fall. All of this seems to be linked not only to the sale of the book but to an anonymous and vicious review of it’s pedigree from five years previous that may have led to a suicide and a spot of blackmail. Things are clearly not as they should be in the hallowed halls of academia and, if Peter and Helen can’t discover the culprit quickly, the question of the book may be solved by attrition.Author Jill Paton Walsh’s has received the blessing of the Sayers estate to revive Peter Wimsey, perhaps the most erudite, witty, and intelligent sleuth in all literature and The Late Scholar is the fourth in the series. This is the first I have read but it worked quite well as a stand-alone. Although she has moved him forward in time to the ‘50s using cultural markers like books and movies to show the change, she has done a fine job of recreating Dorothy Sayers’ style including both Peter’s and Helen’s use of literary quotes to express thoughts and emotions. As in the original series, deaths tend to happen offstage so-to-speak and, although there is some running around looking for clues, most of the solution comes from working their ‘little grey cells’ to use the words of that other Grande Dame of Mystery. The Late Scholar is a wonderful example of the British cozy set in academia and, as such, it is less a wild ride and more a relaxing stroll through the cobbled streets of Oxford. It won’t get your heart a-thumping or your nerves a-jangling but it will make you think while entertaining you with the eccentricities and often petty grievances of those who reside too long in Ivory Towers. It also provides a pretty good puzzle or two to keep the reader guessing. For fans of Dorothy L. Sayers, of cozies, or of mysteries set in academia, The Late Scholar is the perfect book to get lost in.
  • Rating: 4 out of 5 stars
    4/5
    Jill Paton Walsh may not be Dorothy L. Sayers, but this is still a witty, entertaining story and it’s wonderful to have more Lord Peter Wimsey and Harriet. This story takes place later than Sayer’s books, after the WWII, but fortunately Bunter is still around serving as Lord Peter’s devoted valet. Like Gaudy Night, my favorite Sayers book, the setting is the world of Oxford in all its insular arcane academic glory. St. Severin's College must decide whether it should sell a moldering but valuable ancient manuscript to acquire more land, and it turns out it’s Lord Peter who, through a hereditary appointment, is supposed to cast the deciding vote. This won’t be an easy matter because passions are quite heated and though he will only be dealing with the highly educated Lord Peter is forewarned that people overestimate the power of reason among intellectuals. As Peter certainly knows well already.It’s been a while since I read Dorothy Sayers, which maybe was an advantage for enjoying this novel, but one difference did stand out to me though I didn’t mind it--I don’t believe Sayers would have let us know that Peter and Harriet spent an afternoon dallying in bed. Rest assured, it’s just a brief, tasteful mention. My only (mild) complaint has to do with an excess of riches. There were so many Oxford fellows who had a vote in the to sell or not to sell the manuscript decision that it was difficult to keep track of who was who and what side they were on. I should have made myself a cheat sheet, but even without it the novel was a delight.

Book preview

The Late Scholar - Jill Paton Walsh

The author and publisher have provided this e-book to you for your personal use only. You may not make this e-book publicly available in any way. Copyright infringement is against the law. If you believe the copy of this e-book you are reading infringes on the author’s copyright, please notify the publisher at: us.macmillanusa.com/piracy.

Contents

Title Page

Copyright Notice

Dedication

Acknowledgements

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Also by Jill Paton Walsh and Dorothy L. Sayers

Copyright

In memory of

CHRISTOPHER DEAN

1932–2012

Tireless and imaginative promoter of the work of Dorothy L. Sayers in all its varieties

ACKNOWLEDGEMENTS

Tony and Nancy Kenny generously gave time to reading this book in manuscript and removing errors about Oxford ways and nomenclature, as well as assisting in more general ways. I am indebted also to conversations with John De’Ath, and to the forbearance of Carolyn Caughey, my editor at Hodder & Stoughton. My husband, John Rowe Townsend, has given indispensable support and encouragement, and I thank him and all the above-mentioned friends. Elaine Griffiths was a real person, who taught me to read and admire Alfred the Great; I salute her memory.

I have been working with the consent of the Trustees of Dorothy L. Sayers.

1

‘Great snakes alive!’ said the Duke of Denver, sometime Lord Peter Wimsey, famous amateur sleuth.

‘What is it, Peter?’ asked his Duchess, sitting across from him at the breakfast table.

The Duchess was sometime Lady Peter Wimsey, and before that had been Harriet Vane, detective-story writer, a person that she still was as often as life allowed her.

Peter was holding a sheet of deckle-edged writing paper, which had emerged from a crested envelope brought to him by Bunter, manservant and friend, who was standing back, but within earshot, evidently having appreciated the possibly explosive nature of the letter.

‘I seem,’ said Peter, ‘to be the Visitor for St Severin’s College, and in that capacity to be urgently required in Oxford.’

‘How can one seem to be a Visitor?’ asked Harriet calmly. ‘If you are such, don’t you know about it?’

‘Well, no, as it happens, I know nothing about it,’ said Peter. ‘I have heard of college Visitors, but I thought they were usually the King – well, it would be the Queen now – or a bishop or a judge or least the Chancellor. I really don’t see how a college can have the Duke of Denver as a Visitor, unless there is such a person as a hereditary Visitor.’

Bunter discreetly cleared his throat.

‘Yes, Bunter?’ said Peter.

‘Perhaps the Dowager Duchess might remember if the late Duke had ever had such a role, Your Grace,’ said Bunter.

‘She might indeed,’ said Peter.

‘She will not yet be up,’ said Harriet. ‘Bunter, would you be so kind as to ask Franklin to let us know when it would be convenient for Peter to call on her? Your mother sleeps in late these days,’ she added to Peter, ‘and at her age, who could blame her?’

The Dowager Duchess was now approaching eighty-five, and both Peter and Harriet were concerned about her, day by day.

That morning, however, she was propped up on her bed-pillows, bright-eyed and as eagerly talkative as in the old days.

‘Oh, Peter, how nice!’ she said. ‘Come in, dears, sit down. Now Harriet, when I first saw what you had put in my bedroom, I thought – I didn’t say anything, of course, you had taken all that trouble while I was in New York with poor Cornelia; thank heavens I stayed all that time with her, since it was the last chance for us, if only we had known, though we did know in a way of course, but we thought it would be me that death came for before her, she was nearly ten years younger than I am … now what was I saying? Oh yes, when you did up this place for me while I was away I thought why would I want two armchairs in a bedroom? And now here you are both of you quite comfortable, and so you were perfectly right all the time, and honestly, Peter, if I didn’t love Harriet so much I would think she is quite right too often for her own good … what is it you want to talk to me about, dears?’

‘Do you recall, Mama,’ said Peter, ‘Gerald holding some sort of position in Oxford? St Severin’s College, to be exact.’

‘Yes, he did,’ said the Dowager Duchess, ‘and your father before him. It was explained to me once. Something about the college statues having put in the name of Duke of Denver, instead of the role that Duke happened to have at the time, so they were stuck with Dukes of Denver for ever and a day.’

‘What did Gerald have to do for them?’ Peter asked. ‘I don’t recall him mentioning it to me.’

‘He had to go to Oxford when they elected a new Warden,’ said the Dowager. ‘He thought it was an awful bore. Luckily it didn’t happen very often. Only once for Gerald, I think. He had to be there to help them install the new Warden – such an odd idea I always thought, installing someone, as though they were a new boiler, or an electric light system. Has it happened again? That would be nice for you, wouldn’t it? Aren’t you two rather fond of Oxford?’

‘Something has happened,’ said Peter darkly, ‘but we don’t know exactly what.’

Franklin coughed discreetly from the bedroom door.

‘We must leave you to get up and dressed,’ said Harriet, taking the hint. ‘We’ll see you at lunch.’

As they went together down the stairs Harriet said, ‘Do you think Cousin Matthew might be able to dig up something about all this?’

‘Ancient though he is?’ asked Peter. ‘Yes, he might. I’ll ask him. He’s always pathetically anxious to be useful.’

At the foot of the stairs they parted, he to go to find Cousin Matthew, lodged in a flat converted from the nearest of the old Home Farm barns; she to her study.

*   *   *

Less than an hour later Peter was standing in the library, contemplating a copy of the statutes – or statues, as his mother had called them – of St Severin’s College that Cousin Matthew had found for him in a trice. Cousin Matthew, the only son of a poor collateral line on the family tree, had been wholly dependent on the ducal family at Denver for most of his life, and had occupied himself on cataloguing books and pictures and antiques, and working on the genealogy of the family.

His pleasure at finding at once what was wanted was visible in satisfied smiles.

The statutes thus discovered did indeed declare that the Visitor of St Severin’s was the Duke of Denver. Cousin Matthew supplied the information that a seventeenth-century Duke had been a generous benefactor of the college – had indeed effectively re-founded it. Perhaps that was the true explanation for the hereditary oddity, rather than a simple mistake. Matthew didn’t think a Duke of Denver had ever been the Chancellor, or held any other office that would have made him an appropriate person to be the Visitor.

‘In the fell grip of circumstance,’ murmured Peter, ‘My head is bloody but unbowed. What are my unwelcome obligations, Matthew?’

‘There are ceremonial ones,’ said Cousin Matthew, ‘to do with appointing a new Warden, and appointing fellows. You are allowed to delegate those.’

‘The devil I am!’ said Peter. ‘To whom have we been in the habit of delegating these delights?’

‘Mr Murbles, I believe,’ said Cousin Matthew.

Murbles was the family solicitor, an excellent and reliable fellow, now very elderly, who had retired to Oxford to live with his daughter.

‘Well, he is on the spot,’ said Peter.

‘However,’ said Cousin Matthew, ‘this is much more likely to be about your function as a referee of last resort if there is irreconcilable conflict among the fellows. See here…’ He turned a page or two, and pointed.

If any question arise on which the Warden and Fellows are unable to agree, the Warden and Fellows, or the Warden, or any two of the Fellows, may submit the same to the Visitor, and the Visitor may thereupon declare the true construction of the Statutes with reference to the case submitted to him.

‘Ho hum’, said Peter. ‘And in all these years they have managed without needing a referee. I am wondering what might have happened now…’

‘There is also this…’ Cousin Matthew pointed again.

It shall be lawful for the Visitor, whenever he shall think fit, to visit the College in person, and to exercise, at any such visitation, all powers lawfully belonging to his Office.

‘That might be very jolly,’ said Peter. ‘I’ll show it to Harriet … hullo!’

He had looked up and seen a car arriving.

Bredon Hall had a long driveway, between an avenue of fine old plane trees, now just coming into full leaf, their branches sprinkled with the bright fresh green of late May, offering a dappled screening to the drive itself. The drive approached what would have been the centre of the great façade before the dramatic fire, which three years earlier had gutted two-thirds of the house. The drive now curved round to approach the remaining wing of the house, giving Peter and Cousin Matthew, standing at the library window, a sideways-on view of a Sunbeam Talbot, crunching its way along the gravel towards the front door.

‘Who goes there?’ said Peter. The two men watched as the unexpected driver got out of the car, and, taking a briefcase from the front passenger seat, approached the door with unmistakably urgent steps. ‘Be thou a spirit of health, or goblin damned, bring with thee airs from heaven, or blasts from hell—’

At which point Bunter appeared at the library door, saying, ‘There is a Mr Troutbeck to see you, Your Grace. He says his business is urgent.’ He offered Peter Mr Troutbeck’s card.

Michael Troutbeck, MA Oxon, D.Phil, Fellow of St Severin’s …

‘What would you say, Bunter, such a visitor portends?’ asked Peter.

‘He wishes, I surmise, Your Grace, to have your ear before anyone else gets a word in,’ said Bunter. ‘You could possibly decline to hear him on his own.’

‘He comes in such a questionable shape, that I will speak to him,’ said Peter, leaving the library with a light step, and skipping down the stairs like an elderly Fred Astaire.

*   *   *

Troutbeck was a handsome man in early middle age, smartly dressed in a conventional three-piece suit, with a gold watch-chain, and a college tie. Peter led him into the morning room, and offered coffee or perhaps a little light breakfast. Troutbeck was visibly tempted. The fellow really had got up in the middle of the night and driven himself from Oxford … But the breakfast, once served to him, was clearly hard for him to deal with, so eager was he to have his say. He gulped his coffee, and took only a few mouthfuls of the excellent bacon and eggs Mrs Farley had provided before pushing his plate aside with a determined expression on his face.

Peter, sitting opposite him, said pleasantly, ‘Now, how may I help you?’

‘Ah … it’s rather, Your Grace, that I might be able to help you,’ was the reply. ‘I thought it might be useful if some impartial person gave you a coherent account of the college’s troubles, before you found yourself deafened by the clamour that will meet you when you come to the college.’

‘And you are that impartial person?’ said Peter.

‘I certainly am,’ said Troutbeck.

‘I am willing to listen to you,’ said Peter.

‘I suppose you cannot have any idea what this is about?’ said Troutbeck. ‘And to put you in the picture I must begin some months ago – last year in fact. At that time the college was offered a spectacular opportunity: a chance to acquire a large tract of land near Oxford. There was immediately conflict among us.’

‘What was the trouble?’ asked Peter.

‘Money. The college’s finances have been in a very precarious state for some years; we are deeply in the red. Something would have to be sold to raise the money to buy the land. But the eventual value of a large tract of land on the eastern margins of the city could transform the situation for us. And we were in a position to raise the money – we could sell a manuscript book supposed to be invaluable, but in practice a burden, since it needs to be kept very secure and we have it expensively insured. A white elephant, as the saying goes. And there was very deeply felt disagreement; the book had been a gift from a former scholar of the college and some of the fellows thought it could not decently be sold.’

‘And you, I take it,’ said Peter, ‘were not of that persuasion.’

Troutbeck looked wary. ‘Well, no, I was not. I am not – for matters are not settled. Our statutes provide that any two fellows may raise any matter to be put to a vote at college meetings, and unfortunately they do not prohibit the raising again and again of a matter that has already been voted upon; they merely specify that a vote cannot be taken on a matter already voted on sooner than during the term next following the previous vote. The division was so close that the Warden had to use his casting vote, which makes it all too likely that the decision could be overthrown if voted upon again.’

‘But the Warden could use his casting vote again. Which way did he vote?’

‘He voted against selling the codex. He said that he thought the casting vote should always be used in favour of the status quo.’

‘So the matter is effectively settled however often it is put to the vote,’ said Peter. ‘Where does the Visitor come in?’

‘The Warden has taken leave of absence. The fellowship is divided exactly fifty-fifty. And the necessary two fellows to have the matter discussed again have already tabled the question on the agenda for the next meeting.’

‘Who, currently, is the Warden?’ asked Peter.

‘One Dr Thomas Ludgvan,’ said Troutbeck. ‘He has been the Warden for years; for an absolute age.’

Peter got up and wandered across to the window, as if to contemplate Troutbeck’s car, standing in the drive.

‘I think I would expect a body of reasonable people to be able to talk such a matter to an agreement, even if there were some left unhappy by the decision arrived at,’ said Peter.

‘Non-intellectual people overestimate the power of reason among intellectuals, I find,’ said Troutbeck. ‘Feelings have become so inflamed over this matter that I fear rational discussion is no longer on the cards. That is why we have taken the unusual step of invoking the powers of the Visitor.’

‘You have taken a great deal of trouble, Troutbeck, to come this far to talk to me. I think you must hope to persuade me to take your view of which is the right decision.’

‘I think any reasonable person would take the view I take,’ said Troutbeck. ‘The land we are offered is off the Watlington Road; it is mediocre farmland, and obviously open to development as the city expands. Acquiring it would put the college finances on the right path for a generation.’

‘Whereas the manuscript?’ Peter prompted him.

‘Is a small codex of tenth-century pages in an eighteenth-century binding, rendered largely illegible by fire and water…’

‘Was it in the Cotton fire?’ asked Peter, unable to dissemble his interest.

‘Or some other fire,’ said Troutbeck impatiently, ‘rather too enthusiastically put out with gallons of water. The thing is ugly; it has no display value at all. We incur the costs and responsibility and in exchange attract the curiosity of a few, a very few, medievalists.’

‘Your benefactor, meanwhile, is not aware of what is going on, I take it?’ Peter asked. ‘Who is he or she?’

‘The benefactor is no longer on the scene. It was a bequest by which we acquired his book. Nevertheless he requested secrecy,’ Troutbeck said. ‘I do not really feel that I should break his confidence on my own. When you come to Oxford, of course you will be talking with us officially; but I should warn you that by no means all of the fellowship have the interests of the college at heart. There are factions among us – people bitterly at odds with each other. I am sure you will hear the question explained to you in very misleading ways.’

‘I don’t think you mentioned what the codex is a manuscript of?’ said Peter.

‘Some Dark Ages martyr called Boethius,’ said Troutbeck.

Peter positively smiled at him. ‘Then you have no need to tell me who your benefactor was,’ he said. ‘There is only one person possible. And it seems clear why the book was given to St Severin’s. You should stay to lunch. I have much more to learn from you.’

But at that moment Bunter knocked and entered. ‘There is a person on the telephone, Your Grace, urgently desiring to talk to Mr Troutbeck,’ he said.

‘Please show Mr Troutbeck to the telephone,’ said Peter.

The morning room door was left open behind them. Peter heard their footsteps across the hall, but although he could hear the sound of Troutbeck’s voice, he could not catch the words, and hoped that Bunter was eavesdropping with his usual skill.

Peter easily overheard for himself the words exchanged by Bunter and the guest as they returned across the hall.

‘Not bad news, I hope, sir?’ said Bunter.

‘No, excellent news, in fact,’ Troutbeck said. ‘Very tragic, of course … I thought I was in a spot, though. I had relied on a duke to be more interested in land than old manuscripts.’

‘It would depend on the duke, sir,’ said Bunter impassively, showing Troutbeck back into the room.

Troutbeck was having some trouble looking sombre. ‘I am afraid I have been wasting your time, Your Grace,’ he said. ‘A senior member of the college having unexpectedly died last night, the voting will no longer be deadlocked. I think we shall be able to manage without troubling you any further. And I must get back immediately; there will be things to sort out in poor Enistead’s affairs.’

‘Oh, jolly D,’ said Peter duplicitously, ‘unless, of course, this deceased fellow was a friend of yours.’

Troutbeck had the grace to blush slightly. ‘Not a personal friend,’ he said, ‘but a colleague of many years … one is naturally distressed … so sudden…’

Peter walked his guest to the door and down the steps to his car. He opened the driver’s-side door for Troutbeck, and stood watching the car crunch away along the drive.

‘And I imagine the deceased was of the party that voted against you,’ he murmured to himself.

When the Sunbeam was out of sight he returned to the library and looked again at the letter that had summoned him to Oxford. It bore two signatures, one of Terence Cloudie, Senior Fellow; the other of John Ambleside, Vice-Warden. It had not been signed by Troutbeck. ‘Whatever is going on?’ Peter asked, rhetorically addressing the rows of noble tomes on his own well-furnished shelves. ‘Wait till I tell Harriet!’

*   *   *

Telling Harriet did have to wait, however. She and Peter had long worked out a way of dealing with the everyday complexities of their lives. They could talk briefly at breakfast and at lunch; between those times Harriet retreated to her study to write. Peter never lacked things to do – he had the estate to run. Not till the evening did they sit together, Harriet reading, Peter sometimes playing the piano, and with time to let talk expand. On the day of the visit from Mr Troutbeck there had, by lunchtime, been two letters in the second post, and a further visitor from Oxford. The letters had evidently been written before the writers knew of ‘poor Enistead’s’ death; they were from fellows taking different sides in the dispute, each putting their case. Peter glanced at them, and put them aside for attention later, partly because the appearance of another unfamiliar car approaching along the drive threatened to cut short his time to consider them properly.

Bunter announced, ‘A Mr Vearing to see you, Your Grace,’ and retreated.

*   *   *

Mr Vearing was a man of middle age, grey-haired, thin and dignified, casually dressed in cavalry tweeds and a wine-coloured waistcoat. He looked rather crumpled – either he had slept in his clothes or he was not accustomed to trouble much about his appearance. An atmosphere of anxiety and discomfort emanated from him. He had a lean and rather lived-in face, and a slightly short-sighted frown, and approached Peter with extended hand.

‘Vearing,’ he said, ‘fellow of St Severin’s.’

Asked to sit, he lowered himself into the available armchair. There was not a touch of deference about him – something that Peter noticed with approval.

‘You must wonder why I have taken the trouble to come,’ he began, ‘when I suppose you will shortly be coming to Oxford to take matters in hand.’

‘I have not yet decided whether I must visit Oxford,’ said Peter untruthfully, ‘or if I may read what you fellows have to say, and deliver my opinion from the safety of my own home.’

Vearing looked slightly disconcerted. ‘This is a very important matter, Your Grace,’ he said. ‘I had thought you would need to hear the views of all the fellows…’

‘If so,’ said Peter mildly, ‘why not wait till I arrive at the college, and tell me what you think then?’

Vearing straightened up a little in his chair. ‘I have spent many years teaching undergraduates, and graduate students, Your Grace,’ he said, ‘and I have observed a recurring phenomenon. That is that when invited to consider two sides of a controversy people are apt to give most weight to the position they have encountered, or have had put before them, first. It is relatively hard for a second position to dislodge their allegiance to the earlier one.’

‘Really?’ said Peter. ‘I would have thought that scholars would be more rational.’

‘I could give you a familiar example,’ said Vearing. ‘In the nineteenth century, those who were thrown into misery by losing their faith – Arthur Hugh Clough for example, or Matthew Arnold, or George Eliot – retained a nostalgia for religious belief which pursued them all their lives.’

‘Hmm,’ said Peter. ‘That is an interesting question, although not the one that has brought you here this morning. I suppose you mean that you think if you put your side of the case to me before anyone has put the counter-argument, you will sway my judgement decisively in your direction. But I am not an undergraduate, Mr Vearing, nor even a nineteenth-century agnostic.’

‘Of course not, Your Grace. I did not mean to imply … the truth is I know nothing about your education, having realised only yesterday that the fate of the college lay in your hands – and by right of birth, rather than a right of office. I hope you will not blame me if I say that that is a situation that should not have been allowed to happen.’

‘About that at least we may agree with each other,’ said Peter.

Bunter had appeared, carrying a coffee tray with a splendid silver coffee pot and Royal Worcester cups.

When the coffee had been poured, Peter invited his guest to make his case.

‘I am afraid to say,’ he began, ‘that some of the fellows of the college – exactly half of them in fact – are determined to commit a crime against the purposes of the college. For the sake of the money they wish to sell a precious manuscript volume from the college library, and spend the proceeds on a speculative venture in land. The volume in question is an early copy of a work by the saint for whom the college is named. It seems to me – and to my party in the dispute – to be an act of vandalism to auction it off to the highest bidder, who would probably be some unheard-of college in America…’

Vearing’s strong feelings were apparent in his heated expression and heightened colour. The coffee cup he was holding rattled gently in its saucer. He had not so much as sipped it.

‘Don’t let your coffee get cold, old chap,’ said Peter.

‘Forgive me, Your Grace,’ Vearing responded, hastily gulping his coffee. ‘Feelings run high on this matter, including mine.’

‘Well, it’s a dilemma, I do see that,’ said Peter. ‘But surely not a matter of life or death. Even the life or death of a college.’

‘It would be a slow death, admittedly,’ said Vearing. ‘The sale of the manuscript would deplete the resources of the college library. And it would announce to the world that St Severin’s is no longer a safe place for the preservation of treasures of the past. That it no longer values scholarship above money…’

‘Wouldn’t that depend upon what the money raised was spent on?’ asked Peter innocently. ‘Couldn’t you have some jolly new student lodgings, or a lecture room?’

‘Quite a few of the best minds in the senior

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