Indian Conjuring
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Indian Conjuring - L. H. (Lionel Hugh) Branson
The Project Gutenberg EBook of Indian Conjuring, by L. H. Branson
This eBook is for the use of anyone anywhere at no cost and with
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with this eBook or online at www.gutenberg.org
Title: Indian Conjuring
Author: L. H. Branson
Release Date: November 28, 2008 [EBook #27353]
Language: English
*** START OF THIS PROJECT GUTENBERG EBOOK INDIAN CONJURING ***
Produced by Sankar Viswanathan and The Online Distributed
Proofreading Team at http://www.pgdp.net (This file was
produced from images generously made available by The
Internet Archive/American Libraries.)
INDIAN CONJURING
BY
MAJOR L. H. BRANSON M.I.M.C.
Indian Army
With 8 Illustrations
LONDON
GEORGE ROUTLEDGE & SONS LTD.
NEW YORK: E. P. DUTTON & CO.
I dedicate this small volume to
MY WIFE
who has always been my best audience and my keenest critic
at the innumerable sleight-of-hand performances that I have
had the pleasure of giving in her presence.
Portions of this book were published by
the TIMES OF INDIA, ILLUSTRATED WEEKLY, by whose kind permission
they are reprinted.
CONTENTS
LIST OF ILLUSTRATIONS
INDIAN CONJURING
CHAPTER I
A COMPARISON
Since the world began Magic and wizardy seem to have held a great fascination for mankind, an example being in the story of the Witch of Endor. That this tendency has in no wise altered is clear from the popularity of conjurors, illusionists, and so called magicians who still, be it East or West, attract an audience so easily and so surely. This little volume is written in the hopes that it may prove of interest to the thousands who reside in India, and those other thousands who, visiting its coral shores from time to time, often discuss in wondering amazement how the Indian conjuror performs his tricks. It is also written to uphold the reputation of the Western conjuror against the spurious ascendancy held by his Eastern confrere.
Before describing the many well known tricks that are shewn by the house to house
Jadoo-wallah, and explaining how they are done, we will compare the average Indian conjuror with his mystic friends in Europe, America and China.
Let us for a moment picture in our mind's eye the stage and person of the European or American conjuror. A few small tables with spindle legs (upon them a steel frame or so, transparent and decorative) are exposed to our view. The performer appears with rolled up sleeves in close fitting clothes and by the end of his performance has filled the stage with several large flags, a bouquet of flowers and, may be, a beautiful lady, all, possibly produced from a top hat. His performance is given to the accompaniment of amusing patter and is brightened with the colour of the articles he produces.
He may be an illusionist pure and simple and does not indulge in sleight-of-hand at all. In this case the comparison with the Indian Jadoo-wallah is not a fair one, as the latter has not the means to purchase the complicated mechanism necessary for up-to-date illusions as shewn by European magicians.
Whether or no his superior education is the reason, the European conjuror gains in skill and shows his inventive genius as time goes on. His effects are studied, and his paraphernalia embraces more and more varied articles. The disappearance of a Christmas tree with all its candles lighted is an excellent example to what he has risen. He takes an interest in his profession or calling and strives to outdo others in neatness or by inventing an exclusive trick to which his name can be given and handed down to posterity. This may be the result of large fees that can be earned at the Halls
or by private entertainments by those at the top of the tree. But these fees are open to a conjuror of any nationality, and I am confident that the