Guitar World

LEADER OF THE MAC WE TELL THE STORY OF HOW FLEETWOOD MAC WERE BORN

“[MAYALL] SAID, ‘YOU’VE GOT THE FEELING’ OR SOMETHING SIMILAR,” PETER GREEN SAYS. “ANYWAY, HE LET ME ON THE TRAIN”

PETER GREEN IS, ARGUABLY, THE MOST UNDER-RATED guitarist of the British mid-Sixties blues boom, consistently relegated to a position somewhere below the holy triumvirate of Clapton, Beck and Page.

He deserves better. He would write some of the most memorable blues-based songs of the Sixties, create some of the genre’s most imaginative guitar licks and establish a band that, by the end of the decade, was out-selling the Beatles and the Stones.

Born in London’s East End to a poor Jewish family, he had been turned onto the possibilities of guitar at age 11, in the skiffle era of the mid Fifties. His brother Len acquired a cheap Spanish guitar and showed young Peter a few chords. Before long, it was Peter’s guitar.

This is the story of how it all began for Peter Green, his first recordings and the creation of Fleetwood Mac.

AUGUST 11, 1965: John Mayall’s Bluesbreakers, featuring Eric Clapton, play at Putney Pontiac Club in south-west London. Shortly after this gig, Clapton unexpectedly disappears to Greece for a two-week holiday.

JOHN MAYALL: I guess Eric just became bored with it. So he decided to get some friends together and go off to Greece. For me, it was panic stations because we’d come to rely on him so much and there were so few people to choose from as a replacement. I got a lot of replies to an ad I put in the Melody Maker, so I was auditioning different players every night, letting them sit in to see how they worked out. Then Peter came up to me during a gig at The Flamingo in Wardour Street and was fairly forceful, very insistent that he was better than the guy I had on stage that night, so I gave him a shot and he was quite right, of course.

MIKE VERNON (BLUE HORIZON LABEL FOUNDER AND PRODUCER): Peter was an unknown quantity at this time. He had played in several local bands, the best known of which was perhaps the Muskrats, but he was not a big name.

PETER GREEN: John said I could play a little bit and he said, “You’ve got the feeling,” or something similar. Anyway, he let me on the train.

AUGUST 25, 1965: John Mayall’s Bluesbreakers, featuring Eric Clapton, newly returned from Greece, again Unfortunately, it was only a couple of weeks before Eric came back from Greece. Eric returned with a tan and Peter was out again. Peter wasn’t very pleased about that, but that was the way it was.

You’re reading a preview, subscribe to read more.

More from Guitar World

Guitar World4 min read
Gear Of The Dark
MANY OF US will remember getting our first delay pedal, treasuring those fond memories of how one clever little box can make an unaccompanied guitar sound thicker, deeper and, on certain settings, almost orchestral. For Norwegian musician Vegard Sver
Guitar World2 min read
Answering The Call
THESE PAST FEW lessons have all focused on a variety of the tools that I rely on to strengthen the narrative content in my guitar solos. Not note choices, but a wider view of the things that will help me to create better phrasing. We’ve talked about
Guitar World11 min read
Southern Harmony… … And Musical Companions
THE BLACK CROWES have had a tumultuous history. Numerous musicians have passed through their ranks, and brothers Chris and Rich Robinson’s battles with each other — verbal and physical — are legendary. It’s been 40 years since the earliest incarnatio

Related Books & Audiobooks