AMERICAN THEATRE

WE GOT THIS

THE FIRST EPISODE OF BLUE’S CLUES AIRED when I was almost 3. Now it’s 2020, the year my son will turn 3, and I am showing him an ancient VHS tape of the Blue’s Clues episodes I watched when I was his age. And then he breaks the VHS player, one of the last relics left from my childhood. Thankfully we find the episodes to purchase on demand. All of this undoubtedly makes me a millennial parent.

The last time I wrote a story about parenthood for American Theatre (Nov. ’18), my boy couldn’t even walk. Now he is sprinting, throwing snowballs, coloring the walls. He has no interest in breastmilk; he’s moved onto chicken nuggets and choo choo trains. My family’s needs are constantly in flux.

The last time I wrote about caregiving, the parents I interviewed told me my needs as a parent artist would shift tremendously. I didn’t know what they meant. I thought I would be sleep-deprived forever. I thought I would think about breastfeeding forever. I didn’t know how it would feel to watch a teeny person do something new, day after day, and navigate what to do about it.

I’m getting it more now. Unfortunately, in getting it, I’ve become a bit more jaded.

I learned something recently that surprised me. I learned that Generation Alpha, the children born between 2010 and 2025, have more parents in their 30s than in their 20s. For the first time, like, ever. The statistics shocked me but underlined what I already suspected: Having a baby in my early 20s was, all things considered, pretty young. And the comments I received throughout my pregnancy and still get, about how odd it is that I would choose having a child over pursuing my early career, seem even more persistent.

I fought those comments for a long time. “I can have both,” I expressed with grating denial. I still believe it sometimes. I try to have both every day as I work a revolving door of jobs—sometimes four to five jobs at once—in hopes that one day I can land that mythical opportunity to just have one satisfying, decent-paying job. As a young playwright who’s a mother, how do I make it work? people ask. This is where I have to lie a bit, because I often feel like I don’t—not really, anyway. Since my son was born, I’ve written four plays and have had zero productions.

This isn’t

Estás leyendo una vista previa, regístrate para leer más.

Más de AMERICAN THEATRE

AMERICAN THEATRE4 min. leídos
Editor’s Note
THE MAGAZINE YOU’RE HOLDING IN YOUR HANDS MAY NOT feel lighter than usual, but it is glaringly missing one key element: several pages of listings of theatre productions in nearly every state of the U.S. that have appeared in the back of every issue o
AMERICAN THEATRE4 min. leídos
Our Supporters:
Theatre Communications Group acknowledges its engaged community of supporters* who believe in our mission to strengthen, nurture and promote the professional theatre in the U.S. and globally. We are proud to recognize the following individuals for ge
AMERICAN THEATRE4 min. leídos
Tom Key A Spiritual Connection
ONE OF TOM KEY’S EARLIEST MEMORIES OF VISITING Atlanta is of attending Georgia Tech football games with his father and brother. He recalls driving from the family home in Birmingham, Ala., and watching the Atlanta skyline expand as the car journeyed