Gabriel Orozco

Walter Benjamin described Eugène Atget as a photographer who “always passed by the ‘great sights and so-called landmarks’” but instead was attentive to “a long row of boot lasts … or tables after people have finished eating and left, the dishes not yet cleared away.” We could go on: nor would he overlook a flowery carpet hanging from a window to dry under the sun, or a bakery display with piled-up bread forming peculiar geometric patterns. That is, Atget was the rare kind of photographer who was interested not in human beings, but rather in the traces they left in the world.

An artist like Gabriel Orozco fits comfortably into this category. Instead of——

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