Japan in the House

nications Group was devoted to nurturing the theatre field, with an initial focus on 20 fledgling U.S. resident companies, helping artistic and managing leaders explore topics like artistry, audience development, subscriptions, professionalizing technical and administrative staffs, joint auditions, and funding sources. By the 1980s the field was growing and branching out to embrace our place in the world, from federal advocacy and activism to a budding international consciousness, stoked by early pioneers such as La MaMa’s Ellen Stewart, George White