The Paris Review

Two Poems

UNBRIDLED

To look at them, you might not think the two men, having spoken brieflyand now moving away from each other, as different goalsrequire, have much history, if any,between them. That, for a time that seems longer agoit’s been, they used to enter each other’s bodies so often, so routinely,yet without routine ever seeming the right way of putting it,that even they lost count—back then,who counted? It’s not as if they’ve forgotten, or at leastthe one hasn’t, looking long enough back at the otherto admire how outwardly unchanged he seems: still muscled, even ifeach muscle most brings to mind (why, though)an oracle done hiding at last, all the mystery madequantifiable, that it might more easily that way—like love, like the impulsetoward love—be disassembled. The other man doesn’t look backat all, or think to, more immediately distractedby the dog he had half forgotten at the end of a leash he’d forgottenentirely, though here it is, in his hand,and the dog at the end of it. What kind of dog? The kind whosedigging beneath the low-lying branches of a bush thick with flowersshakes the flowers loose, they make of the dog’sfurious back a fury of petals that the dog takes no notice of,though the man has noticed.How the petals lie patternless where they’ve fallen.How there’s a breeze, bit of storm in it. How as if in responsethe dog lifts its dirt-blackened face from the hole it’s digging,then continues digging. Then the man is crying. No, it like crying.Now what good at this point do you really think that’s likely to doeither of us, he says, to the dog.

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