The Atlantic

The Silence of Classical Literature’s Women

Pat Barker’s retelling of the Homeric epic imagines the Trojan War from the perspective of a female slave fought over by two Greek heroes.
Source: Naples National Archeological Museum / Wikimedia Commons

At the end of The Silence, Briseis, a princess taken as a slave by Achilles, considers the cost of the Trojan War. Fragments of songs are running through her head, stories about voyages and adventure and “the glorious deaths of heroes.” Briseis is sick of them. The death of young men in war is a tragedy, she thinks, but worse is the fate of the women who survive. Their husbands, brothers, and children are all dead; the women are traded as sexual trophies by the same men who murdered their families. “I looked at Andromache,” Briseis thinks, “who’d have to live the rest of her amputated life as a slave, and I thought, ”

You’re reading a preview, subscribe to read more.

More from The Atlantic

The Atlantic5 min readAmerican Government
What Nikki Haley Is Trying to Prove
This is an edition of The Atlantic Daily, a newsletter that guides you through the biggest stories of the day, helps you discover new ideas, and recommends the best in culture. Sign up for it here. Nikki Haley faces terrible odds in her home state of
The Atlantic8 min readAmerican Government
The Most Consequential Recent First Lady
This article was featured in the One Story to Read Today newsletter. Sign up for it here. The most consequential first lady of modern times was Melania Trump. I know, I know. We are supposed to believe it was Hillary Clinton, with her unbaked cookies
The Atlantic3 min read
They Rode the Rails, Made Friends, and Fell Out of Love With America
The open road is the great American literary device. Whether the example is Jack Kerouac or Tracy Chapman, the national canon is full of travel tales that observe America’s idiosyncrasies and inequalities, its dark corners and lost wanderers, but ult

Related Books & Audiobooks