The Paris Review

An Intimate History of America

Arthur Rothstein, Girl at Gee’s Bend, Alabama, 1937. Collection of the Smithsonian National Museum of African American History and Culture.

As we walked through the , I pushed my grandfather in a wheelchair he had reluctantly agreed to sit in. He is a proud man who also knows that his knees aren’t what they once were—that years of high school and college football had long accelerated the deterioration of his aging joints. We got into an elevator that brought us down to the bottom level of the museum, where visitors begin their journey with displays that outline the earliest years of black life in this country. We made our way through the exhibitions that document the state-sanctioned violence black people experienced

You’re reading a preview, subscribe to read more.

More from The Paris Review

The Paris Review19 min read
The Beautiful Salmon
I’ve always loved salmon. Not to eat, as I don’t eat fish, but I’ve always loved salmon in general because salmon jump and no one knows why. They jump all over the place—out of rivers, up waterfalls. Some say they jump to clean their gills. Others sa
The Paris Review1 min read
Tourmaline
is a stone some sayhelps put a feverish childto sleep and othersclaim it wakes actorsfrom the necessarytrance of illusion to become themselves again it comes in many colorslike the strange redstone set into the Russian imperial crowneveryone thoughtw
The Paris Review1 min read
Passages
Chris Oh began making art as a child in Portland, Oregon, copying pictures from encyclopedias and taking inspiration from the plants and rocks his parents brought home from hikes. After graduating from New York’s School of Visual Arts in 2004, he too

Related Books & Audiobooks