Documentos de Académico
Documentos de Profesional
Documentos de Cultura
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The New World Border
Guillermo
G6mez-Pena
Freshwaterfrom Canada
and cheapoilfrom Mexico,
all servedin an Americanglass.
The perfectFree Trade Cocktail,caramba.
-From an ad by the FRA Commission
II9
I20 GuillermoCGmez-Pena
Glossaryof "Borderismos"
Amigoization This processof happyMexicanizationwas firstdetectedby
GranVato Jose Antonio Burciaga,Ministerof Informationof the seceding
Republikof Berkeley.
Anacaona Taina queen, enslavedand killed by Columbus.Sorry!
Art-maggeddon The end of the world accordingto the art world, or the
end of the art world itself.
Aztec High-Tech, El Undercover antrop6loco, apocalypticdisc-jockey
and cross-cultural salesman. He also goes by the dubious names of
"Supermojado,""The Warriorfor Gringostroika,"and "El Charrollero."
Gringosoften call him Guermo Go-Mex Pifia.
Aztlan The "originalland" in Aztec mythology. According to Chicano
poets it is located in the U.S. Southwest.
I. From the New
World Borderfamily
Borderization This process is also known by sociologists as series, "TheEnd of the
"calcutization" or "third-worldization." CenturyFamily":Miss
Chica-lango Half Chicano and half "chilango" (derogative term for a Discovery(Coco Fusco,
Mexico City native). left), El Charo-Vero
Culti-multuralism An Esperantic Disney worldview in which all cultures, (GuillermoG6mez-
races, and sexes live happily together. Coined by Post-Chicano antrop6loco Pefa, center),and
Robert Sanchez. mother(right)in Mexico
Empty-V After "Reali-TV" the second largest media conglomerate on the City, I992. (Photo
planet. courtesyof Guillermo
Free Taco Agreement An innovative economic initiative designed by The G6mez-Peia)
I22 GuillermoG6mez-Pefia
PressRelease
(This text was meant to both be published in the programand dis-
tributedas a conceptual"pressrelease"to local newspapers.)
2. GuillermoG6mez-
Pena dresseshis perfor-
mancespaceof the New
World Border at The
Spacein Boston i99i
with the stereotypicalicons ?0"4..
of Mexico: votivecandles,
incense,and threedead
chickenswithfeathers.
(Photo courtesyof The
Space)
EQUIPMENT:
Two ghetto blasters, three mikes (one of them must be wireless), a battery-
New World Border 125
The literaryscript...
Intro
GP/NORMAL: (Speaksin tonguesintertwined withcorporate
words)De Volada
Productionspresentsa live broadcastfrom (nameof the citywheretheperfor-
mancetakesplace)on (dateof the actualperformance).
Miento.This is not a per-
formance, but a cue to cue rehearsal.Miento.This is an authentic Indian
ritual.Miento.This is a techno-town meeting. Fuck it! This is what it is.
Chingao'!
Hey man, pay attention,the South is talkingto you...
3. Miss Discoverysegre-
gates the audienceby race
and languageskills at the aficionados,perplexed citizens of the
yuppies, turistas,voyeauristas,antrop6logos
RandolphStreetGallery end of the century. This is the voice of EL AZTEC HIGH-TECH broad-
in Chicago,January casting from the heights of WXYZ-FM, 93 megahertz above reality.
I993 duringa New I'm the representative of The Liberated Republic of Aztlin in the signing
World Border perfor- of an Accorddu Free Cultura among the artistas/activistas of the New World
mance. (Photocourtesyof Border.
RandolphStreetGallery) I'm here with La Miss Discovery 93, la chavamds loca de Cuba Yorkin a
reconquistatour across the Americas.
New WorldBorder 127
I warn you. This ain't performanceart but pure Chicano science-fiction.
Anygueyes,comenzamos sin translationcha-cha!
Y ahora,nuestracorresponsalen los EstamosUndidos....
(Music:Chileanrockby LosElectrodomesticos)
(GP kneelsunderthechicken,drinksfrom shampoobottle,and doeswolfand mon-
keysounds)
CF/ANCHORWOMAN (withecho):Imagine a new American continent
without borders. It's a continent that has become a huge border zone.
Think of it as the New World Border.
We are living in the age of pus-modemity, a blisteringfesteringpresent.In
these times, all known political systems and economic structuresare dys-
functional.They are being reformed,replaced,or destroyed.Many see this
as the era of la desmodernidad,a term that comes from the Mexican noun
desmadre,which can mean either being without a mother or living in
chaos. The GreatFiction of a social orderhas evaporatedand has left us in
a state of meta-orphanhood.We are all finally untranslatablehijos de la
chingada.
GP/FRENCH ACCENT: Lesenfantsde la chingada da-da.
(Music:Pre-recorded chantsin Quechua)
(GP standsup andaddresses thehangingchicken.CF countsdownfromo1 to o in
military position.)
GP/DRAMATIC and SLOW (to thechicken): Yes, we are linked by imagi-
narynetworks...[CF:Io]...membersof a fictionalsociety, no longer defined
by ethnicity,ideology, nationality,or languagebut by time. [CF: 9]
Yes, the only recognizableparametersof this emerging society are "rup-
tures," i.e., the fall of the Berlin Wall, the Baghdad genocide, the L.A.
insurrection....[CF: 8]
Yes, I roam aroundthis shatteredpuzzle in a state of acute apendejamiento
(from the Mexican noun pendejo,[CF: 7] o sea stupid;and the verb mentir,
meaningto lie).
Yes, I'm lying to you [CF: 6] extranjero en tu propiopais.
No, we don't lie together. In the end, we never lie together, vecinos
abismales[CF: 5] still undiscovered to one another, el othercide [CF: 4]
digo,the murderingof otherness.[CF: 3]
Es triste,tristisimo.500 yearslater, Columbus and Queen Anacaona[CF:
2] still cannot understandeach other, each mother, each madre,[CF: I] la
tuya,quefuckin' desmadre. [CF: o]
(Musicstops)
GP/RADIO EVANGELIST (withmegaphone): Is this utopia or dystopia?
Are we closer to Catholic heaven or capitalisthell? Is this re-a-li-tyor per-
formance?Can anyone answer?!Can anyone tell me which countrywe are
in? (Screaming)
I can't hearyou!! I can'thearyou!!
CF/AIRLINE HOSTESS (overlapping): Can anyone answer?Can anyone
answer?(Continuesrepeatingquestioneverysevensecondsintonext text.)
GP/NASAL (old-fashioned Mexicanradiovoice):And the worst of all, Godzilla
and El Santoare nowhere to be found, nowhere to be found, nowhere to
be found....
128 GuillermoG6mez-Pena
5. From the New World GP/ULTRA-MILITANT VOICE WITH REVERB: We witness a resur-
Border seriesinstallment
gence of ultranationalist movements together with the rise of the New
at the WalkerArt Center World Border globalist rhetoric. Quebec, Puerto Rico, Aztlin, South Cen-
in Minneapolis(1992) tral Los Angeles, Yucatan, Panama, and all Indian nations have managed to
Miss Discovery(Coco secede from the new Federation of U.S. Republics. Independent micro-re-
Fusco)auctionsoff the publics are popping up everywhere at the blink of an eye. Verbigratia:
Third World.(Photo by
(Music: Popol Vuh) The twin cities of San Dollariego and Tijuana have
Glenn Halvorsen) united to form the MaquiladoraRepublic of San Diejuana. Hong Kong relo-
6. The Warrior for cated to Baja California to constitute the powerful Baja-Kong, the world's
Gringostroika,Guillermo greatest producer of pom and tourist kitsch. The cities of Lost Angeles and
G6mez-Pena, makes his Tokyo share a corporate government calledJapangeles, in charge of oversee-
anti-colonialsentiments ing all the financial operations of the Pacific Rim. The Republik of Berke-
known duringNew ley is the only Marxist-Leninist nation left on the globe. The Caribbean
World Border at the populations of the East Coast, including Nuyo Rico and Cuba York, have
WalkerArt Center, Min- merged to form the Independent Pan-Carib Nation. They willingly accept
neapolis.(Photo by Glenn refugees from Haiti and Miami. Florida and Cuba now share a corporate
Halvorsen) junta that holds the cryptic name Lenin, Mas Canosa & Associates. The
nation/city of Mexico D.F. (Detritus Defecalis) now Tesmogtitldn(from the
nahuatl nouns tesmog,pollution, and titldn, place) with its 50 million inhab-
itants and its 800 square miles is presently negotiating its independence
from FUSR.
GP AND CF: (Whispering.)FUSR...FUSR...FUSR...
soundsof clock.)
(Pre-recorded
VOICE (oversound system): If you guys don't like it here, why don't you
go back to where you came from?
(GP and CF put on their "Caucasian"masks. CF begins text in French. CP si-
multaneouslytranslatesinto English with Frenchaccent.)
CF/ACADEMIC VOICE: Le mois dernier,le conferencehistoriquesur la paix
s'est passe dans plusieursvilles de la Frontieredu Nouveau Monde.
multiculturelle
New World Border 131
7. GuillermoGomez-
Pefa as the discjockeyof
GP: Sexual Democracia? the 3rd Apocalypsein a
CF: Translation please! performance of New
World Border at Mu-
GP: U.S.A. te usa... seum of Contemporary
CF: Translation please! Art, Los Angeles, I992.
(Photoby Isaac
GP: Censurano-escultura... Artenstein)
CF: Translation please!
8. Membersof Robo Raza
GP: Un Mexicanoen E.U. es comoun turcoen Alemania. (Leftto right: Gregorio
CF: Translation please! Rivera, Guillermo
Gomez-Pena, and Bart
GP: Guera-moment guera... Uchida)worshipat the
CF: Translation please! altarduringPerformance
Jamming Session at
GP: Me cagoen el Nuevo OrdenMundial... Boston'sThe Spacein
CF: Translation please! I991. (Photoby Chuck
Meyer)
(GP says somethingin tongues.)
CF: Translation please!
GP/DIDACTIC: Repeat with me. Los norteamericanos que no aprendierona
hablarespaiol sufrieronuna marginaciontotal. No podian encontrartrabajoy en las
se les considerabaretrasadosmentales.Aqui con nosotrosen el
escuelasmultirraciales
estudio4 tenemosa variosejemplosde...(Blackout.)
134 GuillermoG6mez-Pena
(Music:excerptfrom"Norte/Sur"radioshow.)
(CF mouthsthen both chantpre-recorded
text.)
CF: (Mouthing) Due to pressure from the Mexican Secretariade Turismo,
Huichol and Chamula Indian crafts must remain authentic, at least until
I995.
GP AND CF: Authentic Art, Authentic Nostalgia, Quality Control. Au-
thentic Art, Authentic Nostalgia, Quality Control (repeat).
(Music interruption#I: Fito Paez. Note: These abruptand loud music interrup-
tions are meant to createthe sensation that "someoneup there" is sabotagingthe
show. During them, GP mouths inaudiblethingsto the audienceand screamsat the
technicians,while CF raisescardboardsigns with instructionsto the audiencesuch as
"Laugh!"or "Lookoutraged."GP danceslike a Hollywood "Indian"around CF.
CF stands behindlectern.)
CF (in English) AND GP (in tonguesand Calo): A lecture on American pop
multiculture. Simultaneous translation: The new transcontinental youths are
global culture cyborgs. Their style of dress is a combination of lowrider
nostalgia, futuristic heavy metal, and "pomo-ethnic" details appropriated
from many officially sanctioned traditions. Generically called robo-raza,they
rarely love, talk, laugh, or cry. They are aloof, slim, very stylized, and gor-
geous-looking. (Music interruption#2: song by Maldita Vecindad)When they
speak, they use one language, a blend of Spanglish, Frangle, and Portunol,
spiced with calo and borderismos borrowed from Chinese, Tagalo, corporate,
and media jargon. Due to their fluency in this trans-border esperanto, a
youngster from Sao Paulo has no problem understanding a teen from say
Montreal or San Diejuana. However, neither one of them could understand
this presentation since it is written for the most part in academic Mexican
English.
To them I am merely a monostat, which literally means "a talkative
mono-cultural old fart." Since English is now considered Lingua Poluta, this
presentation might even be perceived by some of you as a counter-revolu-
tionary act. (Musicinterruption#3: song by Fito Paez)
The robo-razashang out in gangas (such as the postmoder ninja-tortasor
the floating greasers).When the robo-razasare not sleeping or hanging out in
the Mall of Oblivion, they are tuned to their portable 3-D video walkmen.
Their sole objective is to avoid Reality #I, a euphemism for what we used
to understand as the social difficulties of everyday life in a Western democ-
racy like this one. Depending on the context, this "social reality" can mean
interracial warfare, ecocide, homelessness, AIDS, irreversible loneliness, or
any combination of the above. (Musicinterruption#4: Chileanpunk)
These youths are too entranced by their virtual reality games to grasp
the visceral experiences of racism or hatred for otheress; yet what they've
gained in coolness, they've lost in passion for a cause; and what they have
achieved in existential fluidity they have lost in depth. They are the chil-
dren of Gringostroikaand Art-maggeddon, the new citizens of horizontal
nothingness. No commitments or convictions: Zero identity. They know
better. They don't want their hearts broken and their psyches scratched
like ours. Are there any questions? No? Are you sure? (Blackout.)
New WorldBorder 135
(He can't speak, experiencespain, and begins to cry out offrustration. Blackout.
GP takes off jacket, puts on wrestler mask and Aztec headdress,grabs wooden
snake and rug. He sits in lotusposition. CF stands behindhim and massageshim.
CF has a crucifixin the righthand and a voodoodoll on the left.)
9. "CensorshipIs..."
From the 1992 New
World Borderproject,
Prophecy #VIII: The New Paganism Wprd Border the Free
of
representatives
(leftto
TacoAgreement
(Lights on them. GP does meditational "om"then "mocos."Mexican hand sign right: Gomez-Peina
equivalenttofuckyou.)
you.) to auctionauthentic
~~~~~~equivalent ~fu~ck pFusco)
CF/FAKE SINCERITY: Please stand up, hold hands, and feel the wisdom Free TradeArt at the
of the maestro in your genital chacras. Minneapolis'sWalkerArt
Center.(Photoby Glenn
GP/CHANT: Hare krishna, krishnahuatl, hare nalga, hairy nalga... Halvorsen)
Halvorsen)
138 GuillermoG6mez-Pena
GP/NORMAL VOICE: Cut! Cut!! I don't like this take. It's racist! Let's
do it again! Cameras one and two rolling...down...your...psyche. Hasta el
fondo y el cansancio.(Blackout.)
FINALE
Two PossibleEndings
Ending #I
(Theperformers,withbrownbagscovering theirfaces,grabtwochairsandsit on the
edgeof thestage.The technical
director
deliversthe lasttext. Slowlyall houselights
comeup.)
VOICE (overthe soundsystem):The performance is finally over. Would
anyone like to spend the night with two sexy AIDS-freeThird World per-
formance artistsfor only $25? Please feel free to walk onstage and touch
them, or smell them. The mestizo male weighs 75 kilos and loves German
cinema. The mulattafemale is shy, very theoretical, and cooks delicious
tropicalfood. They are not trainedactors but they have great imagination
and charisma.
(Silence.The audienceis perplexed.Somefinally decideto walkonstageand begin
to touchtheperformers. LoudMexicanrockand rollsuddenlybreaksthe dramatic
tension.Peoplebeginto applaud.)
Ending #2
(GP walksinto theaudience
and offersthecorpseof thechickento variousaudience
142 GuillermoG6mez-Pena
CAPUT