TUDES et TRAVAUX

XXIV

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STUDIA i PRACE
XXIV

IKSiO
PAN

63)"-363&
2011

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TUDES et TRAVAUX
XXIV

IKSiO
PAN

73)"07 .
2011

)9,31#.%)&,.&(3&"9) .
Maciej G. Witkowski
)9,31#.%)&,%&70(%/.
Maciej G. Witkowski
10/ #9&,.&(.1#%).
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/JB?@AHH<EJAEEA&J@<E@&BAMAE>&;8 E=@?@>@&BA=&1>;@>HA=&/JB?@AHH<EJAEEA=&A@&0H?AE@<;A=L&;A=&9@>BA=&A@&#H<M<>I&
=AHKE@& BJ=KHG<?=& ;A& NJH?KB?O>A& <EE><?HA& <HCDJK;KF?O>A& KPQC?A;& B>& =>=B?@& E=@?@>@L& @K>@& AE& HA@AE<E@& =KE&
caractre et numrotation continue.

1KNRH?FD@&S TR
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Warszawa, 2011
ISBN 978-83-9223-19-43
ISSN 0070-3566

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1KGNK=?@?KE&B>&MK;>GA&A@&CK>MAH@>HAX&C%:$/@*"D;:@4$
Imprim en Pologne
Tirage 300 ex.

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TABLE DE MATIRES

-!.1!"#54:6
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(TELL ATRIB, NILE DELTA) ............................................................................................... 233

-!.1!"#54:6
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4$)3/ ,&10/4(.[&a"3__3)3b& ................................................................................... 253

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TUDES et TRAVAUX
XXIV
2011

JADWIGA IWASZCZUK

ELA"R%HA@"'S"?LA"#'N@?:/)?$'N"-%:?@"
$N"?LA"EAH.GA"'S"M%?@LA.@/?"%?"CA$:"AG0J%L%:$"
T/A@?$'N"'S",:%@/:A@"'S"?LA"UAH$N$NA",N2$NK@

JADWIGA IWASZCZUK

#DA&E<GA&?E&@DA&<EC?AE@&.FRN@?<E&WKH;B&W<=&KP&>@GK=@&?GNKH@<ECA\& @&BAQEAB&@DA&CD<H<C@AH&&
of a person or a thing, being often a religious or political statement. The personal name
W<=& >=><;;R& NAHCA?MAB& <=& <& HAF>;<H& =AE@AECA& W?@D& <;;& @DA& H>;A=& KP& .FRN@?<E& FH<GG<H\1
)KR<;&E<GA=L&TAC<>=A&KP&@DA?H&D?FD&H<EcL&WAHA&<&=NAC?<;&?E=@<ECAL&T>@&@DA&G<EEAH&KP&HA<B?EF&&
appears to be the same.2 In this context it could be expected that the reading of the names
KP&@AGN;A&N<H@=&W?;;&TA&@HA<@AB&?E&@DA&=<GA&W<RL&WD?CDL&DKWAMAHL&?=&EK@&@DA&C<=A\
#DA&@AGN;A&KP&2<@=DAN=>@&KCC>N?A=&<&=NAC?<;&N;<CA&?E&@DA&HA=A<HCD&KE&E<G?EF&T>?;B?EF=&
and their parts due to feminine endings used. These endings and their impact on the mean?EF=&HAG<?EAB&EAF;AC@AB&TR&GK=@&HA=A<HCDAH=\
#DA&QH=@&NAH=KE&WDK&G<BA&D?=&KWE&=>FFA=@?KE&KE&>EBAH=@<EB?EF&.FRN@?<E&E<GA=&KP&
T>?;B?EF=&N<H@=&PHKG&@DA&@AGN;A&KP&2<@=DAN=>@&W<=&.\&0@@K&?E&D?=&E'.'K:%.L$A.3&2A&@HA<@AB&
these names as sentences containing sDm.f forms.
#DA&=@>B?A=&KE&E<G?EF&N<H@=&KP&=<CH<;&T>?;B?EF=&WAHA&CKGGAECAB&HA;<@?MA;R&;<@A&?E&@DA&
subject literature. The next scientist who proposed the translation of names of temples,
@AGN;A&F<@A=L&A@C\&W<=&1D\&!?G=&?E&D?=&<H@?C;A&<TK>@&#DATA=\4&2A&HA<B&KE;R&@WK&E<GA=&KP&
@DA&F<@A=&PHKG&@DA&@AGN;A&KP&2<@=DAN=>@&<EB&?E&D?=&@H<E=;<@?KE&DA&B?B&EK@&KG?@&<ER&N<H@&KP&
@DA&E<GA&KP&@DA&F<@A&;A<B?EF&@K&@DA&(KWAH&1D<NA;&KP&3E>T?=L&T>@&NHKT<T;R&TAC<>=A&KP&T<B&
=@<@A&KP&NHA=AHM<@?KEL&DA&W<=&>E<T;A&@K&HA<B&@DA&CKGN;A@A&E<GA&KP&@DA&F<@A&@K&@DA&1KGN;AI&
KP&@DA&">E&1>;@\&#DA&@H<E=;<@?KE&KP&'\&"A@DA&?EB?C<@A=&@D<@&DA&=<W&@DA&E<GA=&KP&F<@A=&<=&
HA;<@?MA&C;<>=A=\5 It can also be noticed that the names of gates were read as sDm.t(w) pas=?MA&PKHG&<=&WA;;\6
#DA&TKKc&N>T;?=DAB&TR&#\&YHK@DKPP&W<=&BAMK@AB&@K&F<@A=&E<GA=\7 The author distinF>?=DAB& QMA& @RNA=& KP& @DA=A& E<GA=\8& 0E;R& @WK& KP& @DAG& aO?:/4?/:"7 and O?:/4?/:" J) can
TA&KT=AHMAB&?E&CKEEAC@?KE&W?@D&@DA&N<H@=&KP&T>?;B?EF=&PHKG&2<@=DAN=>@8=&HA?FE\&#DA&=@H>C@>HA&KP&TK@D&?=&=?G?;<HL&E<GA;RX&O?:/4?/:"7&d&?A:H$N/@"?A)LN$)/@"e&C<H@K>CDA&KP&@DA&c?EF&
e& N<H@?C?N?<;& NDH<=Af& O?:/4?/:" J& d& ?A:H$N/@" ?A)LN$)/@" e& C<H@K>CDA& KP& @DA& c?EF& e& FKB8=&
name + participial phrase. O?:/4?/:" 7 concerns the situation where the participial
& &<G&A=NAC?<;;R&FH<@AP>;&@K&BH&/?HK=g<W&]<HW?c&<EB&NHKP\&.W<&(<=cKW=c<^'>=h@<b&PKH&@DA?H&DA;NP>;&<BM?CA&
<EB&=>FFA=@?KE=L&<=&WA;;&<=&@K&]<HT<H<&/<iCDHh<c&PKH&CKHHAC@?EF&GR&.EF;?=D\&
1
& 2\&*!")4L&,?A&jFRN@?=CDAE&4AH=KEAEE<GAE\&]<EB& \&.?E;A?@>EF\&ZKHG&>EB& ED<;@&BAH&!<GAE\&YA=CD?CD@A&
BAH&!<GAE\&7AHF;A?CDA&G?@&<EBAHAE&!<GAE\&!<CD@HjFA&>EB&->=j@hA&h>&]<EB& \&%G=CDHA?T>EF=;?=@AEL&Y;kCc=@<B@^2<GT>HF^!AW&$KHc&lmnopq\
2
E.g. W. .!*+!L&->H&'KE=@H>c@?KE&BAH&jFRN@?=CDAE&'rE?F=E<GAEL&VWO"mmsL&mntuL&NN\&vVmwL&mwoVmmvf&13>,
->H&'KE=@H>c@?KE&BAH&jFRN@?=CDAE&'rE?F=E<GAEL&VWO"mmoL&mnttL&NN\&mVtf&13>L&->H&'KE=@H>c@?KE&BAH&jFRN@?=CDAE&
'rE?F=E<GAEL&VWO"116, 1989, pp. 19, 111137.
3
E. ,++,, Topographie des Thebanischen Gaues, Berlin-Leipzig 1952, pp. 6364.
4
1D\Z\&"1'$, Places about Thebes, 9R,O"msL&mnoo&ld&9R,O"msq, pp. 110123.
5
$4+ 4L&%Hc\& 7L&N\&mvu\
6
#DA&E<GA&KP&@DA&F<@A&;A<B?EF&?E@K&@DA&(KWAH&3E>T?=&1D<NA;X&xNKH@A&BA&[MAat]-kA-[Ra], affermies sont les
NHKM?=?KE=&B<E=&;<&/<?=KE&B83E>T?=8&L&<P@AHX&/\Y\&51+),5$)1, #A:?%$N@"%@.A)?@"2/")/G?A"2A@"2$A/X"S/NA:%$:A@"%/X"?AH.@"
2A"G%"YA$NA"M%?)LA.@'/?"Z"CA$:"AG0J%L%:$" ^ &a>EN>T;?=DAB&4D,&@DA=?=L&6<H=<W&%E?MAH=?@RbL&7<H=KM?A&mntv, p. 84.
7
T. 8*,+ ,--L&,?A&#KHE<GAE&BAH&jFRN@?=CDAE&#AGNA;L&7AK3.?$%)%"B'N%@?A:$AN@$% I, Aachen 1996&ld&Tornamenq\
8
1<;;AB&O?:/4?/:AN 70,, cf. 8*,+ ,--, Tornamen, pp. 231236.
*

No name

m\&)ACKE=@H>C@AB&KH?F?E<;&E<GA=&KP&@DA&F<@A=&?E&@DA&#AGN;A&KP&2<@=DAN=>@L&,A?H&A;^]<D<H?L&PHKG&@DA&HA?FE&KP&2<@=DAN=>@\

Missing part

No name

No name

No name

Missing

No name

JADWIGA IWASZCZUK

"

NDH<=A&?=&<E&AN?@DA@&PKH&@DA&c?EFf&<=&PKH&@DA&O?:/4?/:"JL&@DA&N<H@?C?N?<;&NDH<=A&?=&;?EcAB&@K&
the gods name.9
3@&NHA=AE@&=CDK;<H=&=AAG&@K&>=A&HA<B?EF&=R=@AG=&T<=AB&G<?E;R&KE&YHK@DKPP8=&N<@@AHE=&
KHL&?P&?@&?=&GKHA&CKEMAE?AE@L&@DAR&>=A&HAF>;<H&FH<GG<H&H>;A=\10
#DA&G<@AH?<;&PHKG&@DA&@AGN;A&KP&2<@=DAN=>@L&W?@D&N<H@?C>;<H;R&KP@AE&HANHA=AE@AB&E<GA=&
of the gates (Fig. 1bL&F?MA=&<E&KNNKH@>E?@R&@K&MAH?PR&=>T=@<E@?<;;R&@DA&NHKNAH&>EBAH=@<EB?EF&
KP&@D?=&@RNA&KP&E<GA=&?E&<E&<BAO><@A&W<R\
#DA&O>A=@?KE&KP&@DA&HA;<@?KE=D?N&TA@WAAE&@DHAA&QH=@&EK>E=&<NNA<H=\& @&=AAG=&@D<@&@DA&
so-called ?A:H$N/@"?A)LN$)/@&aQH=@&EK>Eb&W<=&EK@&>=><;;R&CKEEAC@AB&W?@D&@DA&E<GA&KP&@DA&
c?EFyO>AAE&<EB&@DA&;<@@AH&CKE=@?@>@AB&<&N<H@&KP&@DA&NHKNAH&E<GA\& P&@DA&E<GA&B?B&EK@&CKE@<?E&
@DA&E<GA&KP&@DA&c?EFyO>AAE&=ACKEB&EK>EL&<ER&FAE?@?M<;&=@H>C@>HA&W<=&M?=?T;A&<P@AH&?A:H$N/@"
?A)LN$)/@11. This is much more apprehensible in the case of names of the domains, where
the proper name was written inside the sign HwtL&@DAHAPKHA&@DA&FAE?@?M<;&=@H>C@>HA&G>=@&TA&
excluded.
#DA& E<GA=& KP& @DA& BKKH=& KP& 2<@=DAN=>@8=& =<CH<;& T>?;B?EF=& <HA& >E?O>A& <=& @DAR& CKE@<?E&
TK@D& @DA& E<GA& KP& @DA& c?EF& <EB& @DA& FKB\& #DA=A& @WK& B?PPAH& TR& @DA?H& FH<GG<@?C<;& FAEBAHL&
WD?CDL&CKE=AO>AE@;RL&F?MA=&<&THK<BAH&CKE@AI@&<EB&NK==?T?;?@R&@K&>EBAH=@<EB&@DA&FH<GG<H&
structure of the name.
#DA&T<=?C&AHHKH&G<BA&TR&=CDK;<H=L&HA=>;@?EF&PHKG&@DA&;<Cc&KP&B<@<L&W<=&F?M?EF&@DA&=<GA&
?GNKH@<ECA& @K& CKGN;A@A;R& <EB& N<H@?<;;R& NHA=AHMAB& E<GA=\& ZHAO>AE@;RL& TR& KG?@@?EF& =KGA&
N<H@=&KP&@DA=A&E<GA=L&@DAR&;K=@&@DA&CD<ECA&@K&>EBAH=@<EB&@DA&P>;;&?BA<&KP&@DA&E<GA\&3&@RN?C<;&AI<GN;A&PKH&@D?=&KMAH;A<N?EF&W<=&@DA&E<GA&KP&@DA&FH<E?@A&F<@A&;A<B?EF&PHKG&@DA&%NNAH&
1K>H@R<HB&@K&@DA&/<?E&"<EC@><HR&KP&3G>E&aFig. 1), cited as Jmn Htp Hr mnw.s,12 which
?E&P>;;&@H<E=CH?N@?KE&H>E=&<=&PK;;KW=X&sbA MAat-kA-Ra Jmn Htp.w Hr mnw.s. Such an ommi=?KE&D<=&<;=K&P>H@DAH&CKE=AO>AECA=\&Z?H=@;RL&?@&?=&?GNK==?T;A&@K&CKGN<HA&@DA&CKGN;A@A&E<GA=&
KP& @DA& F<@A=& W?@D& N<H@?<;;R& NHA=AHMAB& aKH& N<H@?<;;R& HACKHBABb& KEA=& PHKG& K@DAH& T>?;B?EF\&
"ACKEB;RL&?@&G<R&B?=@>HT&?E@AHNHA@<@?KE\
It is possible to recognise three grammar structures which were used in the names of gates
<EB&K@DAH&<HCD?@AC@>H<;&=@H>C@>HA=L&WH?@@AE&KE&@DA&BKKH=&<EB&W<;;=&KP&@DA&@AGN;A&KP&&2<@=DAN=>@X
1. the name of the god + the nfr Hr construction13X&sbA aA Jmn Dsr mnw The great
F<@AX&3G>E&l?=q&DK;R&KP&GKE>GAE@=8&aF<@A&;A<B?EF&@K&@DA&%NNAH&1K>H@R<HBbf
p\& =@<@?MA& aKH& ?GNAHPAC@?MA& <C@?MA& N<H@?C?N;A14bX& sbA MAat-kA-Ra Jmn Htp(.w) Hr mnw.s
V&xY<@AX&MAat-kA-Ra&3G>E&l?=q&=<@?=QAB&W?@D&DAH&GKE>GAE@8&aF<@A&;A<B?EF&@K&@DA&]<Hc&2<;;b&
8*,+ ,--, Tornamen, Fig. 49 on p. 234.
E.g. E. !*"!231?$<',"+@:1'!*3L&(8<HCDA&AE&FH<E?@&BA&#DK>@GK=?=& &A@&;8<M<E@^NKH@A&B>&7 e&NR;zEAL&#%L0
%:N!&[ L&pwwu&ld#%L %:N%4&[ qL&NN\&msumoof&/\&.,''!$L&,?A&#KHE<GAE&MKE&.;AND<E@?EAL&GM 174, 2000,
NN\&moVm{f&(\&8!.,:34L&,A&;<&=K?^B?=<E@&|&<HCDA&}&AE&FH<E?@&BA&#DK>@GK=?=& &~&'<HE<cL&GM 223, 2009, p. 45.
11
E.g. @F7"[9HN"O@.5!(<"HN("\7?0O.@5(?<0]NH?0[9HN"aF<@A&;A<B?EF&@K&@DA&"@<@><HR&)KKGb\
12
8*,+ ,--, Tornamen, p. 114.
13
1P\&5\4\&!::4"9#/?BB;A&.FRN@?<E\&3E& E@HKB>C@?KE&@K&@DA&(<EF><FA&<EB&1>;@>HA&KP&2?AHKF;RND=L&1<Gbridge 2000, p. 61 (6.5).
14
,>A&@K&@DA&;<Cc&KP&THK<BAH&CKE@AI@&?@&=AAG=&@K&TA&?GNK==?T;A&@K&BAC?BA&?P&?@&?=&<&=@<@?MA&KH&<E&?GNAHPAC@?MA&
<C@?MA&N<H@?C?N;A&W?@D&@DA&E<GA&KP&@DA&FKB&?E&<E&DKEKH?QC&@H<E=NK=?@?KE\
9

10

THE NAMES OF THE CONSTRUCTION PARTS IN THE TEMPLE OF HATSHEPSUT AT DEIR EL-BAHARI...

113

50 cm

p\&!<GA&KP&@DA&F<@A&;A<B?EF&@K&@DA&1KGN;AI&KP&@DA&"K;<H&1>;@L&EKH@DAHE&
W<;;&KP&@DA&%NNAH&1K>H@R<HBL&#AGN;A&KP&2<@=DAN=>@L&,A?H&A;^]<D<H?\

and sbA Jmn Ssp(.w) mnw @At-Sps(wt)-Xnmt-Jmn V&xY<@AX&3G>E&HACA?MA=&@DA&GKE>GAE@&

of @At-Sps(wt)-Xnmt-Jmn8&aF<@A&;A<B?EF&@K&@DA&"@<@><HR&)KKGbf
v\&N<H@?C?N?<;&NDH<=AX&@DA&HA=@&KP&@DA&F<@A=&E<GA=&PHKG&@DA&@AGN;A&KP&2<@=DAN=>@&<EB&@WK&
names of domains represented on the walls of this temple.
/K=@& AHHKH=& <NNA<HAB& ?E& @DA& @H<E=;<@?KE& KP& @DA& F<@A=& E<GA=& WD?CD& CKE@<?E& N<H@?C?N?<;&
phrase, since these forms were often unnoticed.
3E&?GNKH@<E@&=K>HCA&KP&?EPKHG<@?KE&<TK>@&@DA&W<R&KP&?E@AHNHA@<@?KE&KP&@DA&B?=C>==AB&
names is the name of the gate located in the eastern part of the northern wall of the UpNAH& 1K>H@R<HB15& <EB& ;A<B?EF& @K& @DA& 1KGN;AI& KP& @DA& ">E& 1>;@& aFig. 2).16 Its full name
sbA Mn-xpr-Ra Dsr Axt Jmn (on the left jamb) / sbA MAat-kA-Ra Dsrt Axt"[9HN (on the right
i<GTb&W<=&HAB>CAB&TR&#\&YHK@DKPP&@K&Jmn Dsr-Axt17&<EB&DA&HA<B&?@&<=&x3G>EL&BAH&2A?;?F&
?=@&?G&2KH?hKE@8\18&#D?=&E<GA&W<=&<;=K&@H<E=;<@AB&TR&1D\&!?G=&<=&x3G>E&?=&DK;R&?E&@DA&
horizon,19&<EB&GKHA&HACAE@;R&TR&5\&'<HcKW=c?&<=&xBAN0^4LA.A:_0YA / ^B%%?_04%0^YA_&DK;R&
KP&3G>E8=&2KH?hKE8\20& @&W<=&B?=HAF<HBAB&TR&GK=@&=CDK;<H=L&AICAN@&PKH&5\&'<H&cKW&=c?L&@D<@&
this name has two forms, one feminine and one masculine, depending on the jamb which
it was placed on.21 The second form written on the right jamb with feminine .t at the end
#\&YHK@DKPP&AHHKEAK>=;R&G<HcAB&?@&<=&<&F<@A&;A<B?EF&PHKG&@DA&7A=@?T>;A&@K&@DA&3;@<H&1K>H@&KP&@DA&1KGN;AI&
KP&@DA&">E&1>;@L cf. 13>, Tornamen, p. 113, Fig. 28.
16
5\&)!*),5$)1L&#DA&#AGN;A&KP&2<@=DAN=>@\&#DA&"K;<H&1KGN;AIL&CA$:"AG0J%L%:$&7 L&7<H=KM?A&pwwv&ld"K;<H&1KGplexq, p. 133, pl. 18.
17
8*,+ ,--L&#KHE<GAEL&N\&mmsf&@DA&=<GA&<TTHAM?<@?KE&?=&O>K@AB&TR&.\&3HE<>B?=^/KE@J;?G<HBL&E<GA;RX&
x(A=&EKG=&BA&BA>I&<>@HA=&NKH@A=&BA&;<&HA?EA&=KE@&CKGNK=J=&=<E=&=KE&EKG&X&Jmn Dsr mnw et Jmn Dsr Axt, cf. 4!3>9
#%L %:N XII, p. 151.
18
8*,+ ,--, Tornamen, p. 115.
19
"1'$, 9R,O 14, p. 118, Inscription 33.
20
)!*),5$)1L&"K;<H&1KGN;AIL&N\&mvv\
21
5\&'<HcKW=c?&EK@?CAB&?@&T>@&>=AB&?@&?E&@H<E=;<@?KE&KE;R&N<H@?<;;RL&cf. 13>9 $F$2!
15

JADWIGA IWASZCZUK

(Dsrt) is obscure if it is translated as it used to be, with the participial phrase describing
Amun. The feminine form is logical if it constitutes an epithet for the name of the queen,
and not for Amun. In consequence, Amuns name must be regarded here as placed in an
DKEKH?QC&@H<E=NK=?@?KE\&#D?=&AI<GN;A&=DKW=&@D<@&<&EAW&HA<B?EF&N<@@AHE&G>=@&TA&CHA<@ABX&
?A:H$N/@"?A)LN$)/@X&@DA&c?EFyO>AAE&aC<H@K>CDA&E<GAb&e&N<H@?C?N?<;&NDH<=A&e&@DA&E<GA&KP&
@DA&FKB\&#D>=L&@DA&E<GA&KP&@DA&F<@A&;A<B?EF&@K&@DA&1KGN;AI&KP&@DA&">E&1>;@&C<E&TA&@H<E=;<@AB&<=&xY<@AX&Mn-xpr-Ra / MAat-kA-Ra&?=&DK;R&KP&@DA&DKH?hKE&KP&3G>E8\
#D?=&KT=AHM<@?KE&CKECAHE=&K@DAH&E<GA=&KP&F<@A=&<=&WA;;\& E&<;;&C<=A=L&@DA&E<GA=&CKE@<?E&
O>AAE8=&@DHKEA&E<GA&<EB&<&N<H@?C?N?<;&NDH<=A&WD?CD&?=&A<=?;R&M?=?T;A&TAC<>=A&KP&@DA&AH<=>HA&
KP&@DA&PAG?E?EA&AEB?EF&G<BA&B>H?EF&@DA&NHK=CH?N@?KE&KP&2<@=DAN=>@\&#DA&KE;R&G<=C>;?EA&
N<H@?C?N?<;& NDH<=A& W<=& >=AB& ?E& @DA& C<=A& KP& @DA& E<GA& KP& @DA& F<@A& ;A<B?EF& @K& @DA& 0PPAH?EF&
1D<NA;&KP&#>@DGK=?=& &aFig. 1b\& @&=DK>;B&TA&NK?E@AB&K>@L&@D<@&@DA&?E=CH?N@?KE&W<=&HA^C<HMABL&
<EB&@DA&NHAM?K>=&KEA&?=&?;;AF?T;A\&#\&YHK@DKPP&@H<E=;<@AB&@D?=&E<GA&<=&x3G>EL&BAH&BAE&!KHB^
wind gibt,22&WD?CD&?=&<E&<C@?MA&PKHG&KP&N<H@?C?N;A\&#DA&TAF?EE?EF&KP&@DA&E<GA&W<=&KG?@@AB&
DAHAL&@DA&P>;;&E<GA&?=X&sbA Mn-xpr-kA-Ra dj(w) mHjt Jmn. Knowing the complete name, it
?=&NK==?T;A&@K&=AA&?@&<=&@DA&NAHPAC@?MA&N<==?MA&N<H@?C?N;A&<EB&@D>=&HA<BX&xY<@AX&Mn-xpr-kA-Ra,
F?MAE&@DA&EKH@D&W?EB&KP&3G>E8\
#D?=&=R=@AG&KP&HA<B?EF&C<E&<;=K&TA&<NN;?AB&@K&@DA&E<GA=&KP&K@DAH&<HCD?@AC@>H<;&CKE=@H>C@?KE=&V&@WK&E<GA=&KP&BKG<?E=&<NNA<H&KE&@DA&W<;;=&KP&@DA&@AGN;A&KP&2<@=DAN=>@X
First of them was depicted on the southern and northern walls of the passage leading
@K& @DA& "@<@><HR& )KKG\&#DA& NAH=KE?QC<@?KE& KP& @DA& BKG<?E& W<=& =DKWE& AE@AH?EF& @DA& HKKG&
with the name written on her head inside the sign Hwt (Fig. 3).23 The whole name of the
BKG<?E&C<E&TA&HA<B&<=X&Hwt MAat-kA-Ra gmt Axt Jmn&<EB&@H<E=;<@ABX&x,KG<?EX&MAat-kA-Ra
WDK&QEB=&@DA&DKH?hKE&KP&3G>E8\&#DA&NHA=AECA&KP&@DA&KH?F?E<;&PAG?E?EA&AEB?EF&G<cA=&?@&
NK==?T;A&@K&MAH?PR&A<H;?AH&=>FFA=@?KE=&KE&@DA&HA<B?EF&KP&F<@A=&E<GA=\&.\&!<M?;;A&@H<E=;<@AB&
?@&<=&x#DA&DK>=A&KP&@DA&DKH?hKE&KP&3GKEL&KP&)<G<c<8&=>FFA=@?EF&@D<@&?@&W<=&@DA&E<GA&KP&
@DA&]<Hc&2<;;\24&#DA&PAG?E?EA&AEB?EF&W<=&EK@&EK@?CAB&KH&BH<WE&?E&!<M?;;A8=&N>T;?C<@?KE\25
#DA&E<GA&W<=&<;=K&HAPAHHAB&@K&TR&Z\&4<W;?Cc?&<=&esr-Axt (without translation),26&<EB&TR&5\&
'<HcKW=c?&<=&x3G>E^6DK^QEB=^@DA^2KH?hKE8\27
#DA&E<GA&KP&@DA&K@DAH&BKG<?E&W<=&C<HMAB&KE&@DA&A<=@AHE&W<;;&KP&@DA&1K>H@&?E&@DA&1KGN;AI& KP& @DA& )KR<;& 1>;@\28 Again, the name written inside the sign M(? (in this case in
PKH@HA==^;?cA&=D<NAb&W<=&N;<CAB&KE&@DA&DA<B&KP&@DA&HANHA=AE@<@?KE&KP&@DA&BKG<?E\&#DA&P>;;&
name should be read Hwt aA-xpr-kA-Ra mry JtmL&<EB&@H<E=;<@AB&<=&x,KG<?EX&#>@DGK=?=& st
TA;KMAB&KP&3@>G8\
22

8*,+

23

E. "!A1::4L& #DA& #AGN;A& KP& ,A?H& A;^]<D<H?\& 4<H@& 7\& #DA& %NNAH& 1K>H@& <EB& "<EC@><HRL& ,,U 27, London 1906

,--,

Tornamen, p. 115.

ldDeir el-Bahari 7qL&N;\&mvn\

24
25

"!A1::4, Deir el-Bahari V, p. 10.

@&D<=&TAAE&O>K@AB&TR&#\&YHK@DKPP&?E&@D?=&AHHKEAK>=&PKHGL&cf. 13>, E':N%HANL&N\&s{uL&,Kc\&nBb\

26

F. ;!5:16)1L&2<@=DAN=>@&#AGN;A&1KE=AHM<@?KE&<EB&4HA=AHM<@?KE&4HKiAC@&mnnoymnn{L&-7B"VIII, 1997, p. 64.

27

)!*),5$)1L&"K;<H&1KGN;AIL&N\&tm\
"!A1::4, Deir el-Bahari 7L&4;\&mpt\&,H\&0\&]?<gK=@KCc<&?=&WKHc?EF&EKW&KE&@D?=&N<H@?C>;<H&HANHA=AE@<@?KE\

28

THE NAMES OF THE CONSTRUCTION PARTS IN THE TEMPLE OF HATSHEPSUT AT DEIR EL-BAHARI...

115

v\&!<GA&KP&<&BKG<?EL&EKH@D&i<GT&KP&@DA&BKKHW<R&KP&@DA&"@<@><HR&
)KKGL&#AGN;A&KP&2<@=DAN=>@L&,A?H&A;^]<D<H?&
a4DK@\&/\&5<WKHE?Cc?b\

#DA&E<GA=&KP&@DA&F<@A=&<@&@DA&@AGN;A&KP&2<@=DAN=>@&HAPAH&@K&@DA&H?@><;=&<EB&@DA&@DAKlogical message of the particular parts of the temple. It is worth to note that the names
B?=N;<RAB&KE&TK@D&=?BA=&KP&@DA&@AGN;A&<I?=&HAG<?EAB&?E&C;K=A&?BAK;KF?C<;&HA;<@?KE&@K&A<CD&
K@DAH\&#D?=&?=&M?=?T;A&A\F\&?E&@DA&E<GA=&KP&@DA&F<@A=&;A<B?EF&@K&@DA&N<H@=&KP&@DA&"DH?EA=&KP&
2<@DKH&<EB&3E>T?=&D?BBAE&?E&@DA&HKCcL&WDAHA&@DA&E<GA=&HAPAHHAB&@K&TH?EF?EF&PKKB&KPPAH?EF=&
(Fig. 1). It also seems that the names of the gates situated along one axis expressed continuation of one theological idea. The names from the main axis of the temple are connected with the ritual function of the whole monument, as all of them describe its
=?FE?QC<ECA& ?E& HA;<@?KE& @K&3G>E& aFig. 1bL& T>@& @DA& E<GA=& KP& @DA& F<@A=& N;<CAB& ?E& 2<@DKH&
"DH?EA&<HA&=@H?C@;R&CKEEAC@AB&W?@D&2<@DKH&C>;@&aFig. 1).

5<BW?F<& W<=hCh>c
E=@R@>@&'>;@>H&*HBh?AGEKGKH=c?CD
?&0H?AE@<;ERCD&43!L&6<H=h<W<
i<F<?W<=hCh>cR<DKK\CKG