invenlive nise-en-scene. Fal Prez Urelas slunning cinenalography, a winner of lhe alional Prize for Cinena, nakes lhe nosl of lhe counlrys slunning lighl. Memories of OverdeveIopment (enorias de| desarro||o, a US$50,000 fln nade over fve years in lhe US and Cuba by guerrilla flnnnaker iguel Coyula, is a unique conpanion lo Tonas Culirrez Aleas enories o! Underdeve|opnen!, a classic of Cuban cinena. Sergio, an ideological relalive of Aleas nain characler 40 years laler, is now an exile in lhe Uniled Slales, weighed down by nenories and renorse for pasl aclions. A producl of lhe digilal generalion, lhe fln ranks as one of lhe besl lhis counlry has produced. Lisanka, a new conedy by Daniel D|az Torres, lells lhe slory of a young peasanl wonan, enployed as a lraclor driver near a nililary base during lhe niddle of lhe issile Crisis of Oclober, 1962, who is courled by lhree possessive nen. Sone inlerpreled lhe nain characler as a represenlalion of Cuba, as she refuses lo be objeclifed by her suilors, one of whon is a Fussian soldier.
n conlrasl lo lhe polilical and fornal
correclness of lhe Cuban cinena induslry, lhe energence of fresh lalenl working independenlly or supporled by inslilulions such as lhe Higher nslilule of Arls (SA or lhe nlernalional School of Cinena and TV (ECTV conlinues lo offer slrong signs of revilalisalion. n lerns of fln language, SA produclions veer lowards lhe slyle of nusic videos, while lhose al lhe ECTV are nore grounded in arl house or experinenlal cinena.
ayckell Pedreros RevoIution, a porlrail of lhe quasiunderground rap group, Los Aldeanos (The Villagers, received lhe lop prize al an annual conlesl for young lalenl. Banned fron exhibilion, lhe fln has been widely dislribuled via illegal DVD copies. Allhough lhe work suffers fron a faslerlhanlife approach lo ediling lhal sone see as quinlessenlial cinena, lhe anlieslablishnenl allilude and opinions of Los Aldeanos do fnd a curious correlalive in such a slyle.
The childhood and adolescence of lhe Cuban nalional hero, Jos arl|, was recrealed by Fernando Prez in Jos Mart, the Eye of the Canary (Jos ar!i, e| ojo de| canario. Covering his fornalive years, lhe fln was Miguel Coyulas Memories of Overdevelopment Mayckell Pedreros Revolution Cuba Jorge Yglesias TEFATOAL FL CUDE CUBA | 105 f lhe young flnnakers renain innune lo lhe Buena Visla Social Club syndrone and lry lo renain failhful lo lheir visions inslead of beconing prisoners of banalily, Cuban cinena will renain lively, producing flns lhal will be worlh seeing. The year's best hIms memories of OverdeveIopment (iguel Coyula Jos mart, the Eye of the Canary (Fernando Prez RevoIution (ayckell Pedrero The BeIIy of the WhaIe (Orisel Caslro 20 Years (Barbaro Joel Orliz Ouote of the year I speak about Cubas reality, because I live here. I dont know any other land, other lives than these. If I were living in France, I would speak about France. If I were living in New York, I would speak about New York. A member of Los Aldeanos. Directory All Tel/Fax nunbers begin (+53 Cuban Institute of Art and Cinema Industry (ICAIC), Calle 23, o 1155, Enlre 3 & 10, Vedado, Havana. Tel: (7 3333650. Fax: 3333231. inlernacional@icaic.cu. www.cubacine.cu. EscueIa InternacionaI de Cine y TV, Carrelera Vereda ueva, Kn 4, San Anlonio de Los Baos. Tel: (47 333152. Fax: 332366. eiclv@eiclv.org.cu. www.eiclv.org. FestivaI InternacionaI deI Nuevo Cine Latinoamericano, Calle 2, o. 411, Enlre 17 & 19, Vedado, Havana, Cuba CP 10400. feslival@ feslival.icaic.cu, habanafesl@feslival.icaic.cu (vorld Fegislralion. www.habanaflnfeslival.con. Barbaro Joel Orlizs 20 Years (20 aos is a landnark of Cuban aninalion. Based on a popular song, lhis shorl fealure uses slop nolion lechnique lo charl lhe rise and fall of a relalionship. nHuenced by lhe greal Czech aninalor Jan Svanknajer, Orliz worked for lhree years lo achieve a work whose lender nenories energe painfully anidsl a couples daily rouline. Orisel Caslros The BeIIy of the WhaIe and Music Box are lwo good exanples of how docunenlary flnnakers lrained al lhe ECTV have an eye for depicling realily wilh subllely. The Be||, o! !he Vha|e, flned in reverse, sees geslalion as a heroic process nade of efforls, fears, uncerlainlies, hopes and expeclalions, usic Box highlighls lhe uninlenlional hunour of regislryoffce weddings. n bolh cases, Orisel Caslro enploys a fragnenled narralive, fake analeur cinenalography and olher devices lo presenl his worlds. Anolher inleresling docunenlary, albeil less anbilious, was Jessica Fodr|guez and Zoe irandas The WorId of RaI (| nundo de Fa|, which deals wilh an eccenlric oplonelrisl who lalks aboul his lasles, daily life and how he becane a peeping Ton. Brbaro Joel Ortizs 20 Years Brbaro Joel Ortizs 20 Years JORGE YGLESIAS is a poel and fln crilic, and Professor of Filn Hislory and Chair of Hunaniles al lhe nlernalional School of Filn and Television of San Anlonio de los Baos, Cuba.
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